Shakespearean International Yearbook
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Anti-theatrical Discourse
Atsuhiko Hirota
Author's Pen
Author’s Pen
Bifold Authority
Bottom's Speech
Bottom’s Speech
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character analysis
cross-cultural adaptation
David Schalkwyk
Dennis Kennedy
Early Modern English Identity
Epicurean Canonic
Epicurean Epistemology
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European cultural exchange
global reception of Shakespearean drama
Happy Dagger
Illocutionary Acts
Jeanne Mccarthy
John Gillies
Juliet's Suicide
Juliet’s Suicide
K. Ludwig Pfeiffer
Katherine Minola
Latine Spekynge
Medwall's Fulgens
Medwall’s Fulgens
Midsummer Night's Dream
Midsummer Night’s Dream
Morton's Household
Morton’s Household
Nora Johnson
Passionate Utterance
performance theory
Playing Back
Q2 Reading
R. Allen Shoaf
Renaissance literary studies
Richard III
Richard Levin*
Robert Hornback
Robert Weimann
romance genre criticism
Ruth Morse
Shakespeare Performance
Shakespeare's Richard III
Shakespearean International Yearbook
Shakespeare’s Richard III
Tygers Hart Wrapt
W.B. Worthen
William N. West
Young Man
Product details
- ISBN 9780367669652
- Weight: 630g
- Dimensions: 156 x 234mm
- Publication Date: 30 Sep 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Graham Bradshaw is based at Chuo University, Japan. Tom Bishop is based at the University of Auckland, New Zealand. David Schalkwyk is a Professor of English at the University of Cape Town.
