Shakespearean World

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adaptation criticism
Afterlives
Alexa Huang
Anna Stegh Camati
Arthur F. Marotti
Astor Place Opera House
Avraham Oz
Ayanna Thompson
Brave Heart
Brett Greatley-Hirsch
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Christie Carson
Christy Desmet
Colour Blind Casting
Companion
cultural transmission
David M. Schiller
David Willbern
dramatic interpretation methods
Early Modern
Early Modern English
Early Modern Race Studies
Edward III
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Eugene Giddens
Florence March
Global
global theatre history
Henri III
Hugh Grady
international Shakespeare adaptations
Internet Shakespeare Editions
James C. Bulman
Jane Kingsley-Smith
Jason Demeter
Jill L. Levenson
Jim Davis
Karen J. Cunningham
Kate Flaherty
Katherine Scheil
Kathryn Prince
Keith Johnson
Ken Jackson
Levenson
literary reception theory
Literature
Literature Worlds
Long House
Margaret Litvin
Maria Clara Versiani Galery
Mariangela Tempera
Mark Thornton Burnett
Marta Gibinska
Martin Procha
Michael Best
Michael P. Jensen
Midsummer Night's Dream
Midsummer Night’s Dream
Murray M. Schwartz
Naomi J. Miller
Nicola Hyland
Nicole Edge
Oregon Shakespeare Festival
Parviz Partovi
performance studies
Peter Holbrook
Peter Holland
Peter Kirwan
Peter Robinson
Played Back
Randall Martin
Renaissance
Richard III
Rob Conkie
Robert Ormsby
Ruan Lingyu
Samuel Crowl
Sandra Young
Shake Speares Sonnets
Shakespeare
Shakespeare Education
Shakespeare Film
Shakespeare's Life
Shakespeare's Richard III
Shakespeare's Warwickshire
Shakespearean Biography
Shakespearean Ecocriticism
Shakespearean Tourism
Shakespeare’s Life
Shakespeare’s Richard III
Shakespeare’s Warwickshire
Stephen P. Purcell
Susan Bennett
Susanne Greenhalgh
World
Yong Li Lan
Young Man

Product details

  • ISBN 9781032179186
  • Weight: 1260g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts:



  • Shakespeare on stage internationally since the late seventeenth century;



  • Shakespeare on film throughout the world;



  • Shakespeare in the arts beyond drama and performance;



  • Shakespeare in everyday life;



  • Shakespeare and critical practice.

Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.

Jill L. Levenson is Emeritus Professor of English at Trinity College, University of Toronto, Canada, and is an honorary vice president of the International Shakespeare Association.

Robert Ormsby is Associate Professor of English at Memorial University of Newfoundland, Canada.