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Shakespeare’s Auditory Worlds
Shakespeare’s Auditory Worlds
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€43.99
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A32=Benjamin Curns
A32=Clio Doyle
A32=David Bevington
A32=Elizabeth Brown
A32=Leslie Dunn
A32=Ralph Alan Cohen
A32=Sarah Fallon
A32=Walter W. Cannon
Age Group_Uncategorized
Age Group_Uncategorized
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B01=Laury Magnus
B01=Walter W. Cannon
British Literature
Category1=Non-Fiction
Category=AN
Category=ANF
Category=ATD
Category=ATDF
Category=ATY
Category=DSG
Category=DSGS
COP=United States
Delivery_Delivery within 10-20 working days
English Literature
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
hearing Shakespeare
History
Language_English
Literary Studies
Literature
PA=Available
performance history
Price_€20 to €50
PS=Active
Renaissance Studies
Shakespeare
Shakespeare studies
softlaunch
stage practices
Theater performance history
Theater Studies
Product details
- ISBN 9781683932024
- Weight: 481g
- Dimensions: 152 x 231mm
- Publication Date: 10 Nov 2022
- Publisher: Associated University Presses
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare’s stages, Shakespeare’s Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a concluding “Virtual Roundtable” section, six seasoned repertory actors of the American Shakespeare Center as well, who discuss their nuanced hearing experiences on stage. Their “hearing” invites us to understand the multiple dimensions of Shakespeare’s auditory world from the vantage point of actors who are listening “in the round” to what they hear from their onstage interlocutors, from offstage and backstage cues, from the musicians’ galleries, and often most interestingly, from their audiences.
Walter W. Cannon is professor emeritus of English at Central College.
Laury Magnus is professor of English at the U.S. Merchant Marine Academy.
Shakespeare’s Auditory Worlds
€43.99
