Shakespeare's Curse

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A01=Bjoern Quiring
A01=Bjorn Quiring
Aaronic Blessing
act
Author_Bjoern Quiring
Author_Bjorn Quiring
Canto III
Category=DSBD
Category=DSG
curse in royal drama studies
Danse Macabre
Dead Man
Della
divine
Divine Judgment
Drunken Prophecies
early
Early Modern
Early Modern Age
Early Modern Era
early modern jurisprudence
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
era
Foul Fiend
Giorgio Agamben's Homo Sacer
Gun Powder
Hoc Est Corpus Meum
Homo Sacer
iii
Inclusive Exclusion
john
Juridical thinking
king
Lear's Curse
legal performativity
Legitimacy
Major Excommunication
Margaret's Curse
Matthew 25
modern
Monmouth's Historia Regum Britanniae
Mythical violence
Oath Ceremony
Oral Contract
political theology
Prophetic Curses
richard
Richard III
ritual exclusion
Shakespeare's curse
Sovereignty
sovereignty theory
speech
Speech Act
speech act analysis
Theatrum Mundi
Vice Versa
White Head
Young Men

Product details

  • ISBN 9780415517560
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Conceptualizing the curse as the representation of a foundational, mythical violence that is embedded within juridical discourse, Shakespeare’s Curse:The Aporias of Ritual Exclusion in Early Modern Royal Drama pursues a reading of Richard III, King John, and King Lear in order to analyse the persistence of imprecations in the discourses of modernity. Shakespeare wrote during a period that was transformative in the development of juridical thinking. However, taking up the relationship between theater, theology and law, Björn Quiring argues that the curse was not eliminated from legal discourses during this modernization of jurisprudence; rather, it persisted and to this day continues to haunt numerous speech acts. Drawing on the work of Derrida, Lacan, Walter Benjamin and Giorgio Agamben, among others, Quiring analyses the performativity of the curse, and tracks its power through the juristic themes that are pursued within Shakespeare’s plays – such as sovereignty, legitimacy, succession, obligation, exception, and natural law. Thus, this book provides an original and important insight into early modern legal developments, as well as a fresh perspective on some of Shakespeare’s best known works.

A fascinating interdisciplinary study, this book will interest students and scholars of Law, Literature, and History.

Björn Quiring is Research Associate at the Peter Szondi Institute of Comparative Literature, Freie Universitat, Berlin.

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