Shakespeare's Language in Digital Media

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Adam James Bradley
Andie Silva
Andrew Griffin
Category=DDA
Category=DSB
Category=GBC
Category=GL
corpus linguistics tools
Daniel Aureliano Newman
Diane K. Jakacki
digital humanities research
digital resources for Shakespeare studies
Digital tools
Early English Books Online
Early Modern
Early Modern Drama
early modern English
Early Modern Literary Studies
electronic scholarly editing
Elisa Tersigni
Elizabeth Bernath
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Foul Papers
Gerard's Herball
Gerard’s Herball
Hard Word
Hypertextual Edition
Ian Lancashire
Internet Shakespeare Editions
ISE
Jennifer Roberts-Smith
language history analysis
Laura Estill
Mark Kaethler
Material Considerations
Michael Ullyot
OED Entry
Performance Edition
Playhouse Texts
Richard III
SGML
Shakespeare's Language
Shakespeare's Richard III
Shakespearean Coinage
Shakespeare’s Language
SHC.
Standard Generalized Markup Language
STC.
TCP.
Text Analysis Tools
textual criticism methods
Toby Malone
Valerie Wayne

Product details

  • ISBN 9781472427977
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Jan 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The authors of this book ask how digital research tools are changing the ways in which practicing editors historicize Shakespeare's language. Scholars now encounter, interpret, and disseminate Shakespeare's language through an increasing variety of digital resources, including online editions such as the Internet Shakespeare Editions (ISE), searchable lexical corpora such as the Early English Books Online-Text Creation Partnership (EEBO-TCP) or the Lexicons of Early Modern English (LEME) collections, high-quality digital facsimiles such as the Folger Shakespeare Library's Digital Image Collection, text visualization tools such as Voyant, apps for reading and editing on mobile devices, and more.

What new insights do these tools offer about the ways Shakespeare's words made meaning in their own time? What kinds of historical or historicizing arguments can digital editions make about Shakespeare's language? A growing body of work in the digital humanities allows textual critics to explore new approaches to editing in digital environments, and enables language historians to ask and answer new questions about Shakespeare's words. The authors in this unique book explicitly bring together the two fields of textual criticism and language history in an exploration of the ways in which new tools are expanding our understanding of Early Modern English.

Janelle Jenstad is Associate Professor in the Department of English, University of Victoria, Canada.

Mark Kaethler is an English Instructor at Medicine Hat College, Canada.

Jennifer Roberts-Smith is Assistant Professor and Associate Chair, Theatre and Performance in the Department of Drama and Speech Communication, University of Waterloo, Canada.