Shape of Content

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A01=Ben Shahn
art aesthetics
art and culture
art and meaning
art and politics
art and social change
art and society
art criticism
art education
art history
art instruction
art interpretation
art methodology
art philosophy
art teaching
art theory
artistic aspiration
artistic authenticity
artistic craft
artistic creation
artistic development
artistic expression
artistic form
artistic growth
artistic innovation
artistic inspiration
artistic integrity
artistic philosophy
artistic process
artistic purpose
artistic techniques
artistic tradition
artistic vision
Author_Ben Shahn
Category=AB
Category=AGA
creative development
creative expression
creative inspiration
creative process
E.H. Gombrich The Story of Art
eq_art-fashion-photography
eq_bestseller
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eq_nobargain
eq_non-fiction
figurative art
Herbert Read Education Through Art
John Berger Ways of Seeing
modern art
painting
Roger Fry Vision and Design
Rudolf Arnheim Art and Visual Perception
visual arts
visual composition
visual expression
Wassily Kandinsky Concerning the Spiritual in Art

Product details

  • ISBN 9780674302426
  • Weight: 341g
  • Dimensions: 140 x 210mm
  • Publication Date: 16 Sep 2025
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
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“The clearest, most forceful statement on art by an artist of our time that I have read.” —Frank Getlein, New Republic

An illustrated guide to artistic creation from one of the twentieth century’s most provocative and expressive painters.

Can art be taught? For the celebrated activist-painter Ben Shahn, the answer was a qualified yes. Any would-be artist can take a few courses and dip their toes in the water. But a true education goes far beyond the classroom.

The Shape of Content, compiled from Shahn’s 1956–1957 Norton Lectures, appeals for artists to break the confines of formal instruction. In wide-ranging reflections on art history, the problems of form, and his own career, Shahn conveys the stubborn determination required to move beyond dilettantism and toward an authentic voice. But he delivers no easy formulas. Critics celebrate artists’ seemingly effortless moments of inspiration, yet genuine achievement is always the fruit of prodigious labor. To the perennial questions of “What shall I paint?” and “How shall I paint it?” Shahn replies: Live and think and try. Read endlessly, develop and test opinions, and above all, don’t stop painting.

A figurative realist in an age of high abstraction and an unabashed leftist at the height of the Cold War, Shahn was never quite at home in his own time. The accessibility and popularity of his work, and his sometimes-unfashionable humanism, made him a frequent target of critics during his life. And yet it is precisely these features that have since cemented Shahn as a giant of twentieth-century art. Today, his lectures offer potent lessons for anyone who shares his belief in the power of art to change minds and contest injustice.

Ben Shahn (1898–1969) was an American painter, lithographer, and photographer. His work, commenting on major social issues such as racial discrimination, labor conditions, and the threat of atomic warfare, has been featured in retrospectives at the Museum of Modern Art in New York, the Fogg Art Museum at Harvard University, and the Museo Nacional Centro de Arte Reina Sofía in Madrid. Adam Gopnik is a staff writer at the New Yorker and the New York Times bestselling author of ten books, including, most recently, The Real Work: On the Mystery of Mastery. A Chevalier of the Legion d’honneur, Gopnik has won three National Magazine Awards and the George Polk Award for Magazine Reporting.

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