Shaping Sound and Society

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Afghan dutar
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community music practices
Confer
Contact Microphone
Cretan Music
cultural study of music
cultural study of musical instruments
Dense
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ethnomusicology
ethnomusicology research
Free Reed Instruments
Guru Shishya Parampara
Hammered Dulcimer
Haupt Voll Blut Und Wunden
historic instrument analysis
history of musical instruments
Holds
Indian slide guitar
Instrument Maker
instrument makers
instrument-making
Jazz Saxophone
Jew's Harp
Mallorcan bagpipe
material culture
material culture studies
maultrommel
Military Bands
military musical instruments
Modular Synthesis
Modular Synthesizers
Moravian Church
Moravian Communities
music and material culture
music technology innovation
musical instruments
musical instruments and culture
musical instruments and society
musicology
organology
Radio Kabul
social context of musical instruments
study of musical instruments
Superimposed
Sympathetic Strings
Trombone Choir
Vice Versa
Wind Bands
Young Men

Product details

  • ISBN 9781032544090
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Aug 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume brings together leading voices from the new wave of research on musical instruments to consider how we can connect the material aspects of instruments with their social function, approaches that have been otherwise too frequently separated in musical scholarship.

Shaping Sound and Society: The Cultural Study of Musical Instruments locates the instruments at the centre of cultural interactions. With contributions from ten scholars spanning a variety of methodologies and a wide range of both contemporary and historic music cultures, the volume is divided into three sections. Contributors discuss the relationships between makers, performers, and their local communities; the different meanings that instruments accrue as they travel over time and place; and the manner in which instruments throw new light on historic music cultures. Alongside the scholarly chapters, the volume also includes a selection of shorter interludes based on interviews with makers of comparatively new instruments, offering further insights into the process of musical instrument innovation.

An essential read for students and academics in the fields of music and ethnomusicology, this volume will also interest anyone looking to understand how the cultural interaction of musical instruments is deeply informed and influenced by social, technological, and cultural change.

Stephen Cottrell is Professor of Music at City, University of London. His previous books include Professional Music-Making in London,The Saxophone,Defining the Discographic Self: Desert Island Discs in Context (co-edited with Julie Brown and Nicholas Cook), and Music, Dance, Anthropology.