"Shards" as Autoethnographic Performance

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A01=Evan Kent
Adonai Echad
aliyah
Author_Evan Kent
autoethnographic methodology in performing arts
Autoethnographic Performance
autoethnography
British Crime Drama
Broadway Cast Recordings
Candle Sticks
cantor
cantor professional practice
Cantorial School
Category=AFKP
Category=ATD
Category=GPS
Category=GTC
Category=GTM
Category=JBSR
Collaborative Autoethnography
David's Office
digital performance adaptation
Eastern European migration
emigration
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Evocative Autoethnography
exo-autoethnography
experiences in the Jewish community
Gefilte Fish
Ich Grolle Nicht
immigration
Israel-Palestine conflict
Jewish displacement
Jewish experience
Jewish studies
Kiddush Cup
Kyrie Eleison
Lemon Meringue Pie
Manhattan School
Musician's Performance Anxiety
Passover Seder
performance autoethnography
performance studies
performing autoethnography
Public Administration
qualitative inquiry
qualitative methods
qualitative research methods
Shulchan Aruch
solo theatre techniques
stage shows
staging autoethnography
Staten Island Ferry
Temple
Tv Appearance
Ukrainian Refugees
Vice Versa
West End Avenue
White Hoods

Product details

  • ISBN 9781032252698
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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"Shards" as Autoethnographic Performance explores the development, creation, and presentation of performed autoethnography. The author shares the impetus for the work’s creation and his method for writing and rehearsing performed autoethnography.

This book is essentially an autoethnography about writing and performing an autoethnography and functions as a "play within a play." Through extensive discussions about the development, writing, and performance of "Shards," the author reveals how contemporary political events and social issues as well as events in his ancestors’ history impact his writing, research, and eventual performance. The author takes us on an autoethnographic journey encompassing early 20th-century immigration from Eastern Europe to the United States, his personal development as a singer and actor, the practically obsessive need to perform, his education and eventual employment as a cantor in a synagogue, and how he negotiates these personal and artistic conflicts. Throughout the book, Evan shares with the reader highly personal stories of great honesty, sincerity, and candor. The book also provides insight into performing during the COVID-19 pandemic and how performing artists (including the author) utilized online performing venues.

This book would be a good companion volume for classes in qualitative research, autoethnography, and performance studies, as well as for those looking for a guide on writing, rehearsing, and performing solo theatre.

Evan Kent currently lives in Tel Aviv, Israel, and teaches qualitative research methods at the Levinsky-Wingate Academic Center. In addition, Evan also teaches traditional and contemporary synagogue music at the Hebrew Union College—Jewish Institute of Religion, Israel.

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