Shifts towards Image-centricity in Contemporary Multimodal Practices

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applied linguistics research
Aylan Kurdi
Bonding Icons
Category=CFG
Category=CJA
Category=GTC
Category=JBCT
Compositional Metafunctions
Contemporary Societies
Data Journalism
data visualization
discourse analysis
discourse analysis methods
emoji language studies
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Flickr
Genre Emergence
Genre Profiles
Hartmut Stockl
Helen Caple
Image Macro
image-centric practices
image-centricity
image-nuclearity
Instagram
Instagram Post
intermodal relations
ISIS's Ideology
Jana Pflaeging
Logico Semantic Relations
media design strategies
media linguistics
Meta Languages
Mobile News Apps
Multimodal Genre
multimodal genre evolution
multimodal genres
multimodal texts
multimodality
National Geographic
News Apps
news media
Online Violent Extremist
Photo DNA
Picture Superiority Effect
Popular Science Journalism
print advertising
Related Verbal Units
Represented Participants
social semiotics
social semiotics analysis
Text Image Relations
text-media relations
Violent Extremist Organization
visual communication
visual communication theory
Visual Image Elements

Product details

  • ISBN 9781032176062
  • Weight: 512g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This innovative collection builds on current multimodal research to showcase image-centric practices in contemporary media, unpacking the increasing extent to which the visual plays a principal role in modern day communication. The volume begins by providing a concise overview of the history and development of multimodal research with respect to image-centricity, with successive chapters looking at how image-centricity emerges over time, unfolds in relation to language and other features in global design strategies. Bringing together contributions from both established and emerging researchers in multimodality and social semiotics, the book presents case studies on a variety of image-centric genres and domains, including magazines, advertising discourse, multimedia storytelling, and social media platforms. The aims of the book are, to interrogate the new multimodal genres, relations, forms of analysis, and methods of production that emerge from a greater reliance on visual components. Refining and broadening current understandings of image-centricity in today’s media sphere, this collection will be of particular interest to scholars and students in multimodality, social semiotics, applied linguistics, language and media, and discourse analysis.

Hartmut Stöckl is Full Professor of English and Applied Linguistics at the University of Salzburg, Austria.

Helen Caple is Senior Lecturer of Communications at Journalism at the University of New South Wales, Sydney, Australia.

Jana Pflaeging is Research Assistant of English and Applied Linguistics at the University of Salzburg, Austria.