A01=Peter Muir
Author_Peter Muir
Category=AB
Category=ABA
Category=AJ
Category=JBSR
Category=NHD
Category=NHTB
collective trauma analysis
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Jewish cultural erasure
memory loss in Berlin history
palimpsest memory studies
site-specific installation art
visual urban historiography
Walter Benjamin theory
Product details
- ISBN 9781138262256
- Weight: 280g
- Dimensions: 156 x 234mm
- Publication Date: 31 Mar 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Shimon Attie's Writing on the Wall: History, Memory, Aesthetics theorises images from Attie's 'The Writing on the Wall 1991-1993' installation as a memorial activity, and as an index or habitation for history. The images, which appeared in Berlin's Scheunenviertel district, are suspended by the palimpsestic associations established between the fixated dead of the past and their ghostly appearance in the present. Part of that palimpsest is a collective cultural knowledge of the impending obliteration of community (both the Jewish and non-Jewish citizens of Berlin) by mass-produced death. Peter Muir analyses Attie's work by responding to a series of propositions arising from Walter Benjamin's Thesis 'On the Concept of History.' Shimon Attie's Writing on the Wall: History, Memory, Aesthetics's presiding metaphor is that of loss - the central problem that the book addresses is that of forgetting.
Dr Peter Muir is a Research Associate with MIRIAD (the Manchester Institute for Research and Innovation in Art and Design): http://www.miriad.mmu.ac.uk/visualculture/locationmemory/ and an Associate Lecturer with the Open University.
