Shipwreck in Art and Literature

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Art
Boris Dunsch
Broadside Ballads
Cameron's Titanic
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Cayman Brac
Christine Riding
Conning Tower
cross-cultural symbolism
Early Modern English
Early Modern Portugal
East Indiaman
Emma Cocker
environmental humanities
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eq_biography-true-stories
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eq_non-fiction
Exclusive Economic Zones
Galley Slaves
Giovanni Paolo Panini
HMS Vanguard
Human Suffering
Josiah Blackmore
Kirsty Reid
literary motif evolution
Literature
maritime disaster studies
Michael Titlestad
Modern Rome
Molly Brown
postcolonial maritime narratives
Research
Robin Miskolcze
Royal Academy
Sarah Shaw
Seventeenth Century English History
Shipwreck
Shipwreck Motif
Shipwreck Narratives
Shipwrecked Woman
Stephen Donovan
Steve Mentz
Tacita Dean
Unsinkable Molly Brown
Van De Velde
Vasco Da Gama's Voyage
Veronique Bragard
visual culture analysis
western modernity and the sea
Willem Van De Veldes
Young Man

Product details

  • ISBN 9781138547445
  • Weight: 530g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Tales of shipwreck have always fascinated audiences, and as a result there is a rich literature of suffering at sea, and an equally rich tradition of visual art depicting this theme. Exploring the shifting semiotics and symbolism of shipwreck, the interdisciplinary essays in this volume provide a history of a major literary and artistic motif as they consider how depictions have varied over time, and across genres and cultures. Simultaneously, they explore the imaginative potential of shipwreck as they consider the many meanings that have historically attached to maritime disaster and suffering at sea. Spanning both popular and high culture, and addressing a range of political, spiritual, aesthetic and environmental concerns, this cross-cultural, comparative study sheds new light on changing attitudes to the sea, especially in the West. In particular, it foregrounds the role played by the maritime in the emergence of Western modernity, and so will appeal not only to those interested in literature and art, but also to scholars in history, geography, international relations, and postcolonial studies.

Carl Thompson is Senior Lecturer in English at Nottingham Trent University, UK.