Showing Salazarism

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1937 Exposition Internationale des Arts et des Techniques de Paris
A01=Annarita Gori
Antonio de Oliveira Salazar
Author_Annarita Gori
authoritarian memory politics
Category=JPFN
Category=JPFQ
Category=NHD
Category=NHTQ
Category=QDTS
Corporatism
Craig Fowlie
diaspora engagement strategies
documentaria da obra da ditadura and the 1936 Exposicao do Ano X
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Estado Novo
Far Right in Portugal
interwar European history
national identity construction
political exhibition propaganda Portugal
Portuguese Fascism
propaganda studies
Routledge Fascism and the Far Right
Trade Fairs
visual culture analysis

Product details

  • ISBN 9781032186306
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing on Jeffrey Schnapp’s conceptual framework, this book examines political exhibitions organised by the Portuguese Estado Novo between 1934 and 1940 as spaces where regimes manipulated national history to legitimise their authority, crafting myths of origin and narratives of national pride.

The Portuguese Estado Novo invested heavily in political exhibitions to consolidate its power and project a favourable image abroad, making them a key instrument of propaganda and cultural diplomacy. By analysing national exhibitions, as well as Portugal’s participation in the international fairs in Paris (1937), New York, and San Francisco (1939), this book explores how the regime’s efforts to construct a shared past reinforced its consolidation and provided a unifying foundation for its internal factions. It also examines how Salazarism, navigating both missteps and successes, designed its pavilions to develop visual propaganda and a teleological narrative aimed at fostering loyalty and devotion to its core values. By bridging the local and the global, Showing Salazarism demonstrates how the Estado Novo leveraged these events to forge alliances, influence international audiences, and strengthen ties with the Portuguese diaspora – embedding its cultural strategy within the broader framework of the interwar period.

This volume fills a critical gap in the historiography of Salazar’s Portugal while offering fresh insights into the study of political exhibitions and will be of value to students and scholars alike interested in the studies of fascism and European history.

Annarita Gori is a Research Fellow at the Institute of Social Sciences, University of Lisbon. She was a Luso-American Development Foundation (FLAD) Visiting Professor at Brown University and a Fulbright Scholar at the University of Massachusetts Dartmouth. Her research focuses on cultural diplomacy, visual propaganda, and intellectual networks during Portugal’s Estado Novo regime.

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