Siegfried Line 1944–45

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20th twentieth century
2nd second world war two 2
A01=Steven J. Zaloga
A12=Chris Taylor
A12=Steve Noon
Aachen gap
army
Author_Chris Taylor
Author_Steve Noon
Author_Steven J. Zaloga
Battle of Hurtgen Forest
Category=JWLF
Category=NHWL
Category=NHWR7
commander
Echternach
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
First Ninth Army
Hurtgenwald
modern warfare
strategy
tactic
technology
Tobruks
West Wall
Westwall
ww2
wwii

Product details

  • ISBN 9781846031212
  • Weight: 340g
  • Dimensions: 180 x 242mm
  • Publication Date: 07 Mar 2007
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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An in-depth examination of one of the most frustrating and costly efforts by the US Army in the European Theater of Operations.

The Allies first encountered the Siegfried Line (Westwall) fortifications in September 1944, having pursued the retreating Wehrmacht through Belgium and the Netherlands. The border area around Aachen had been fortified with a double line of bunkers, and both the terrain and the weather made things difficult for the Allies.

With illustrations throughout, this book focuses on the involvement of the US First and Ninth armies in the six-month fighting, including the hellish fighting for the Hürtgen forest.

Steven J. Zaloga received his BA in history from Union College and his MA from Columbia University. He has worked as an analyst in the aerospace industry for over two decades covering missile systems and the international arms trade, and has served with the Institute for Defense Analyses, a federal think-tank. He is the author of numerous books on military technology and military history, with an accent on the US Army in World War II as well as Russia and the former Soviet Union.

Steve Noon was born in Kent, UK, and attended art college in Cornwall. He has had a life-long passion for illustration, and since 1985 has worked as a professional artist. Steve has provided award-winning illustrations for renowned publishers Dorling Kindersley, where his interest in historical illustration began.

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