Signatures of the Visible

Regular price €137.99
19th Century Meditation
A01=Fredric Jameson
afternoon
Author_Fredric Jameson
Category=DSBH
Category=JBCT
Category=NH
Common Languages
consumer
cultural theory cinema
day
Diva
dog
Drawn Back
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
External Displacement
Fait Divers
FBI Man
Golden Eye
Hitchcock's Work
Hitchcock’s Work
Human Suffering
ideological critique of contemporary movies
Independent Group
Late Shakespearean Comedy
Le Ventre De Paris
logic
Ludwig II
Magic Realism
magic realism in film
Marxist film criticism
Mass Audience Culture
Mass Culture
narrative
Overhead Garage Door
personal
political cinema analysis
Routledge academic classics
Search Light
Social Reproduction
society
style
Technological Reproduction
Tommy Gun
unique
Vice Versa
visual culture studies
West Germany
Young Man

Product details

  • ISBN 9781138174702
  • Weight: 453g
  • Dimensions: 129 x 198mm
  • Publication Date: 29 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America’s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others.

Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

Fredric Jameson is one of the most respected cultural critics working in America today and one of postmodernism's most savage critics. Currently William A. Lane Professor of Comparative Literature and Romance Studies at Duke University, he is the author of The Political Unconscious.