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cinema of attractions
early twentieth century film studies
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film historiography
moral discourse cinema
narrative film analysis
national film cultures
nickelodeon era
Product details
- ISBN 9780415252843
- Weight: 880g
- Dimensions: 174 x 246mm
- Publication Date: 27 Nov 2003
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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The Silent Cinema Reader is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences, from the beginnings of film in the late nineteenth century to the coming of sound in the late 1920s.
The Reader covers international developments in film aesthetics, the growth of the American film industry and its relationship with foreign competitors at home and abroad, and the broader cultural, social and political contexts of film production and consumption in the United States as well as Britain, France, Russia and Germany. The Reader includes in-depth case studies of major directors and stars of the silent era, including Cecil B. DeMille, Eisenstein, D. W. Griffith, Buster Keaton, Charlie Chaplin and Rudolph Valentino.
Articles are grouped into thematic sections, each with an introduction by the editors, which focus on:
* Film projection and variety shows
* Storytelling and the nickelodeon
* Cinema and reform
* Feature films and cinema programmes
* Classical Hollywood cinema
* European national cinemas
Lee Grieveson is a Lecturer in the Film Studies programme at King’s College London. He is author of Policing Cinema: Movies and Censorship in Early Twentieth Century America (2004) and a former winner of the prestigious Katherine Singer Kovacs Essay Award from the Society for Cinema and Media Studies. Peter Krämer is a Lecturer in Film Studies at the University of East Anglia (UK). He has published widely on American film and media history, and on the relationship between Hollywood and Europe. Together with Alan Lovell, he co-edited Screen Acting (1999).
