Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929

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A01=Jamie Barlowe
Adaptation
Author_Jamie Barlowe
Category=ATF
Category=DSA
Category=DSBH
Category=JBCT
Category=NH
early cinema history
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
feminist film theory
gender representation studies
intertextuality in film
lost silent films
silent era literary adaptation analysis
women authors adaptation

Product details

  • ISBN 9781032539898
  • Weight: 370g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Silent Film Adaptations of Novels by British and American Women Writers, 1903–1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost—burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowledge—a fragmented and buried early twentieth-century story now reclaimed and retold for the first time to a twenty-first-century audience. This collective narrative also demonstrates the extent to which the adaptations are intertextually and ideologically entangled with concurrently released early “woman’s films” to re-promote and re-instill the norm of idealized white, married, domesticated womanhood during a time of extraordinary cultural change for women. Retelling this lost narrative also allows for a reassessment of the place and function of the adaptations in the development of the silent film industry and as cinematic precedent for the hundreds of sound adaptations of the literary texts of these eight women writers produced from 1931 to the 2020s.

Jamie Barlowe is Professor Emerita of Women’s and Gender Studies and English at the University of Toledo. She is the author of The Scarlet Mob of Scribblers: Rereading Hester Prynne and has published widely on feminist and narrative theory, film studies, and nineteenth- and early twentieth-century American writers.

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