Sing Aloud Harmonious Spheres

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Amnon Shiloah
Aristides Quintilianus
Benjamin Wardhaugh
Book III
Category=AVLA
Category=DSB
Category=NH
Celestial Harmony
Celestial Influence
Celestial Music
Charles Burnett
Concetta Pennuto
Cosmic Harmony
Cosmic Music
early modern science culture
Earthly Music
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eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Francesco Patrizi
Francesco Pelosi
Franchino Gaffurio
Gabriela Currie
Grantley McDonald
harmony
Heavenly Harmony
Leen Spruit
Linda B-Rubi
Maude Vanhaelen
medieval cosmology
music philosophy
Musica Humana
Musica Mundana
Musical Intervals
Musical Mathematics
Musical Ratio
Neoplatonic Notion
Neoplatonism influence
Platonic cosmic harmony reception
Prisca Theologia
Pythagorean Doctrine
Renaissance Receptions
scientific revolution history
Sublunar World
Sympathetic Vibration
sympathetic vibration theory
Timaeus Commentary
Tom Dixon
Wolfram R. Keller
world
World Harmony
Young Men

Product details

  • ISBN 9781138063464
  • Weight: 566g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is the first volume to explore the reception of the Pythagorean doctrine of cosmic harmony within a variety of contexts, ranging chronologically from Plato to 18th-century England. This original collection of essays engages with contemporary debates concerning the relationship between music, philosophy, and science, and challenges the view that Renaissance discussions on cosmic harmony are either mere repetitions of ancient music theory or pre-figurations of the ‘Scientific Revolution’. Utilizing this interdisciplinary approach, Renaissance Conceptions of Cosmic Harmony offers a new perspective on the reception of an important classical theme in various cultural, sequential and geographical contexts, underlying the continuities and changes between Antiquity, the Middle Ages and the Renaissance. This project will be of particular interest within these emerging disciplines as they continue to explore the ideological significance of the various ways in which we appropriate the past.

Jacomien Prins is a Global Research Fellow at the Institute of Advanced Studies (IAS) and the Centre for the Study of the Renaissance (CSR) of the University of Warwick. She has worked extensively on the interaction between music theory and philosophy in the Renaissance. Her work includes Harmonisch labyrint (Hilversum: Verloren, 2007), Echoes of an Invisible World: Marsilio Ficino and Francesco Patrizi on Cosmic Order and Music Theory (Leiden: Brill, 2014), and Marsilio Ficino: Commentary on the Timaeus (Cambridge, MA: Harvard University Press, forthcoming). She is currently working on a book, titled A well-tempered Life: Music, Health and Happiness in Renaissance Learning.

Maude Vanhaelen is Associate Professor in the Departments of Classics and Italian at the University of Warwick. She has published articles on the reception of Platonism in 15th and 16th century Italy. she is the author of Marsilio Ficino: Commentary on the Parmenides (Cambridge, MA: Harvard University Press, 2012).