Audiovisual Media
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International
Performance
Singing
Voice
Product details
- ISBN 9781399508209
- Dimensions: 156 x 234mm
- Publication Date: 31 Mar 2025
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
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Singing Out explores a broad range of singing voices and sung moments, from lavish film musical sequences, television and videogames, through to online platforms, advertising, and multimedia installation work. It illustrates the diverse ways in which the singing voice is produced and understood in different media across international contexts, taking into consideration issues such as corporeal form, age, race, reception, and gender.
The act of singing emphasises issues of identity, technology, and the identifying markers of the voice itself, heightening communication, acting as an aid to memory, and inviting judgement. Singing demarcates and breaks down textual and conceptual boundaries, and offers an intensity of experience that gives it a special status on the soundtrack.
Singing Out contains a range of approaches to the singing voice, offering students and researchers a variety of methodological and critical tools to understand the contemporary context and importance of singing in multimedia.
Catherine Haworth is Course Leader for Music and Music Technology at the University of Huddersfield. Her research focuses on musical practices of representation and identity across various media, with a particular interest in film and television music. Catherine has published on topics including the female detective in 1940s Hollywood; music, gender and medical discourse; women and music in James Bond; and celebrity culture in the film musical. She edited a special edition of Music, Sound and the Moving Image on gender and sexuality, and co-edited the collection Gender, Age and Musical Creativity. Beth Carroll is a Lecturer in Film at the University of Southampton. Her research focuses on matters relating to audiovisual media, including space, place and the body. Beth is particularly interested in sound and the impact it has on issues of immersion and phenomenology in film, videogames, and VR. She is the author of Feeling Film: A Spatial Approach and co-editor of Contemporary Musical Film.
