Singing, Soldiering, and Sheet Music in America during the First World War

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A01=Christina Gier
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American Expeditionary Forces
Author_Christina Gier
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Category1=Non-Fiction
Category=AVGG
Category=AVLP
Category=HBJK
Category=HBLW
Category=HBWN
Category=NHK
Category=NHWR5
COP=United States
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eq_art-fashion-photography
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eq_history
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eq_music
eq_nobargain
eq_non-fiction
First World War
Language_English
military music
Music and Conflict
music and identity
music and war
PA=Available
Price_€20 to €50
PS=Active
sheet music
softlaunch
Soldiers singing
Song leader
Tin Pan Alley

Product details

  • ISBN 9781498516020
  • Weight: 381g
  • Dimensions: 152 x 220mm
  • Publication Date: 31 Aug 2018
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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An advertisement in the sheet music of the song “Goodbye Broadway, Hello France” (1917) announces: “Music will help win the war!” This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.
Christina Gier is associate professor of musicology at the University of Alberta

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