Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985

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A01=Richard Louis Gillies
Aleksandr Blok
Andrei Tarkovsky
Author_Richard Louis Gillies
Blok's Poem
Blok's Poetry
Blok’s Poem
Blok’s Poetry
Cadential Motif
Category=AVLA
City Sleeps
cultural identity theory
Dmitri Shostakovich
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eq_isMigrated=2
eq_music
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eq_non-fiction
European music
Georgy Sviridov
Iambic Hexameter
interdisciplinary music studies
Late Soviet Society
Marina Frolova Walker
Michelangelo Buonarroti
music and literature intersection in USSR
music and politics
music history
musical-literary artworks
Paternal Home
Perfect Fourths
Piano Postlude
post-Stalinist culture
Pyotr Tchaikovsky
Quiet Songs
Red Mare
Richard Gillies
Routeldge Russian and East European Music and Culture
Russian music
Russian Nationalist Movement
Russian poetry analysis
Secret Signs
Shostakovich
Shostakovich's Music
Shostakovich’s Music
Soviet identity
Soviet musicology
Soviet Union
stagnation era
Stalin
twentieth-century composers
twentieth-century music
Valentin Silvestrov
Village Prose
Vocal Cycle
Vocal Cycles
Vocal Melody

Product details

  • ISBN 9780367222505
  • Weight: 522g
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 explores the ways in which the aftershock of an apparent crisis in Soviet identity after the death of Stalin in 1953 can be detected in selected musical- literary works of what has become known as the ‘Stagnation’ era (1964–1985). Richard Louis Gillies traces the cultural impact of this shift through the intersection between music, poetry, and identity, presenting close readings of three substantial musical-literary works by three of the period’s most prominent composers of songs and vocal cycles:

Seven Poems of Aleksandr Blok, Op. 127 (1966– 1967) by Dmitri Shostakovich (1906–1975)
Russia Cast Adrift (1977) by Georgy Sviridov (1915–1998)
Stupeni (1981–1982; 1997) by Valentin Silvestrov (b. 1937).

The study elaborates an interdisciplinary approach to the analysis of musicalliterary artworks that does not rely on existing models of musical analysis or on established modes of literary criticism, thereby avoiding privileging one discipline over the other. It will be of particular signifi cance for scholars, students, and performers with an interest in Russian and Soviet music, the intersection between music and poetry, and the history of Russian and East European culture, politics, and identity during the twentieth century.

Richard Louis Gillies is a lecturer and scholar specialising in the music, poetry, and cultural practices of Russia and the Soviet Union during the nineteenth and twentieth centuries.

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