Singing the Gospel along Scotland's North-East Coast, 1859-2009

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A01=Frances Wilkins
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Author_Frances Wilkins
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Brethren Assemblies
Cameron Family
Category1=Non-Fiction
Category=AVA
Category=AVGD
Category=AVLK
Category=HRCC99
Category=QRMB39
coastal community identity
Contemporary song composition
COP=United Kingdom
Deep Sea Fishermen
Deep Sea Mission
Delivery_Pre-order
eq_art-fashion-photography
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eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
Evangelical hymnody
evangelical worship practices
Evangelicalism
Gospel Hymnody
Gospel singing
Great Awakening
Hillsong Music
hymnody research
Language_English
Male voice
Male Voice Choir
Male Voice Singing
North East Scotland
North East Scottish
Northern Isles
PA=Temporarily unavailable
Praise Meetings
Price_€20 to €50
PS=Active
qualitative fieldwork Scotland
Redemption Songs
regional sacred singing ethnography
sacred music traditions
Sacred Singing
Sandy Watt
Scotland's North East Coast
Scotland’s North East Coast
Scottish Traditional Music
Seine Net Fishing
softlaunch
Sol Fa Notation
Song Acquisition
Southern Gospel Music
Traditional Gospel Songs
Worship Group
Young Men

Product details

  • ISBN 9780367886158
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.

Frances Wilkins is a lecturer in Ethnomusicology at the Elphinstone Institute, University of Aberdeen, UK.

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