Singing the Himalayan Crossroads

Regular price €106.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Noe Dinnerstein
Author_Noe Dinnerstein
Category=AVA
Category=AVLT
Category=NHF
Category=QRFB21
Category=QRPB1
Central Asian music traditions
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ethnomusicology of Ladakh
High Asia music history
Himalayan folk songs
Ladakh traditional music
Ladakhi song heritage
Silk Road music
South Asian musical cultures
Tibetan Buddhist music
Traditional Buddhist songs from the Himalayas

Product details

  • ISBN 9798855802566
  • Weight: 567g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jun 2025
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Introduces the traditional songs of Himalayan Ladakh through their history, ethnology, poetry, and Tibetan Buddhism beliefs.

Singing the Himalayan Crossroads places the traditional song repertoires of the former Himalayan kingdom of Ladakh in both their historical and modern contexts. Although scholarly, it is aimed at a broad general audience, including people interested in ethnomusicology, Tibet, Buddhism, the Silk Road, or the music and cultures of Central and South Asia.

While many songs contain texts that evoke Buddhist meditative visualization practices, at the same time, Muslims, both Sunni and Shia, were prominent in Silk Road caravans that enriched the Buddhist aristocracy. Songs from these Muslim traders often mention important religious sites in Kashmir while having nostalgia for the sights of the Ladakhi capital, Leh. Interweaving these themes, author Noé Dinnerstein mixes a relaxed, conversational narrative with the music and poetry of the songs to evoke the crossroads of High Asia.

A separate anthology of recordings is available online.

Noé Dinnerstein is Adjunct Associate Professor of Music at John Jay College of Criminal Justice, CUNY. He is coeditor, with Lawrence Beaumont and Somangshu Mukherji, of Trends in World Music Analysis: New Directions in World Music Analysis.

More from this author