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1970s
A01=Johanna Isaacson
auteurist
Author_Johanna Isaacson
autonomy
Brian de Palma
capitalism
Category=ATFB
Category=ATMN
Category=JBSF11
controversy
Danielle
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
gender
Godardian
Grace
Hitchcockian
horror
Marxist
misogyny
psychosexual oppression
relationships
second-wave feminism
social
transphobia
women

Product details

  • ISBN 9798216373407
  • Dimensions: 127 x 205mm
  • Publication Date: 03 Sep 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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A minute-by-minute analysis of Brian De Palma’s 1972 horror film, Sisters, weaving in Marxist feminist theory to foreground an appreciation of the film and bid for its enduring relevance for feminists, despite controversy surrounding its director.

Sisters is one of De Palma’s most extraordinary and important films, and yet it is often disregarded, misunderstood, or underestimated. The two main characters, Grace and Danielle, represent the second-wave feminist desire for professional autonomy and women’s psychosexual oppression, respectively. Yet, this reading seems at odds with the abundant accusations of misogyny and transphobia De Palma has drawn throughout his directing career. Each of this book’s 100 vignette chapters makes the case that whatever De Palma’s attitudes and intents, Sisters is a revelatory film for feminists, both for its formal diagnosis and estrangement of conventional gendered relationships under capitalism and for its absorption and reflection of the social contradictions of its moment.

The book also asks important, related questions, including: How does Sisters mark the transition from De Palma’s earlier “Godardian” phase to his signature “Hitchcockian” style? How does De Palma’s Hitchcockian phase inaugurated in Sisters intertwine with 1970s’ psychoanalytic feminist theory? How do the contributions of women both as performers and behind the scenes decenter the auteurist rhetoric that is so frequently applied to De Palma’s work? This book is a means to appreciate and understand one of the most important films of the 1970s while reassessing the assumptions at the heart of contemporary feminist evaluations.

Johanna Isaacson is Professor of English at Modesto Junior College, USA. She is well-known as a feminist horror scholar, bridging academic and popular analysis. Her published books include What Ever Happened to Baby Jane? (2025), Stepford Daughters: Weapons for Feminists in Contemporary Horror (2022), and The Ballerina and the Bull (2016).

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