Siting China in Germany

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A01=Christiane Hertel
aesthetics
Africa
Age Group_Uncategorized
Age Group_Uncategorized
Asia
Author_Christiane Hertel
automatic-update
Berlin
book illustration
Bruhl
caricature
Category1=Non-Fiction
Category=ACBP
Category=ACQ
Category=AGA
Charlottenburg
China
chinoiserie
collection
Cologne
comedy
commedia dell'arte
commedia dell’arte
COP=United States
court culture
decorative arts
Delivery_Delivery within 10-20 working days
Dresden
Eighteenth century
emigration
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exile
fiction
gardens
Germany
imitation
Kassel
Language_English
modernism
Munich
ombres chinoises
orientalism
PA=Available
painting
pastoral
Pillnitz
porcelain
porcelain palace
Potsdam
Price_€100 and above
PS=Active
Rastatt
reception
sculpture
silhouette
sinophilia
sinophobia
softlaunch
superfluity
translation
travel writing
USA
Wilhelmshohe
Wurzburg
Zurich

Product details

  • ISBN 9780271082370
  • Weight: 1678g
  • Dimensions: 229 x 254mm
  • Publication Date: 10 Oct 2019
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Chinoiserie—the use of motifs, materials, and techniques considered “Chinese” in ceramics, furniture, interior design, and landscape architecture—has often been associated with courtly decadence and shallow escapism. In Siting China in Germany, Christiane Hertel challenges conventional assumptions about this art form by developing a fresh, complex perspective on collections, gardens, and literature in the long eighteenth century.

From the extraordinary porcelain palaces at Dresden and Rastatt and the gardens of Wilhelmsthal and Wilhelmshöhe in Kassel to the literary and artistic translation practices in Dresden and Thomas Mann's historical novel Lotte in Weimar, Hertel interprets the extensive history of chinoiserie within but also beyond court culture. In particular, her study focuses on how manifestations of chinoiserie in Germany oscillated between the imagination, judgment, and critique of cultural and historical difference as well as identity.

Hertel’s erudite analysis of the cultural significance of German chinoiserie will interest art historians and scholars of Orientalism, German Sinophilia, and German Sinophobia.

Christiane Hertel is Professor Emerita of History of Art at Bryn Mawr College. She is the author of several books, including Pygmalion in Bavaria: The Sculptor Ignaz Günther and Eighteenth-Century Aesthetic Art Theory, also published by Penn State University Press.

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