Sixties Rock

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A01=Michael Hicks
acid rock
American music
analysis
Author_Michael Hicks
Beatles
Byrds
Category=AVL
criticism
Doors
Doors band
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
folk rock
fuzztone
garage bands
garage rock
groups
guitar distortion
Indian music
Indian music and rock
Jimi Hendrix
Love
LSD
lysergic
music theory
musicians
pop music criticism
psychedelic bands
psychedelic rock
psychedelic scenes
rhythm and blues
rock 'n roll
rock and roll
rock bands
rock concerts
rock music
rock music criticism
rock musicians
Rolling Stones
singing style
studio techniques
Summer of Love
surf music
Surfaris
technique
vocal style
Woodstock
Yardbirds

Product details

  • ISBN 9780252069154
  • Weight: 286g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Aug 2000
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Unlike their rock 'n' roll predecessors, many rock musicians of the mid-sixties came to consider themselves as artists--self-consciously presenting themselves as creators of a new sonic medium.

Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.
Michael Hicks is a professor of music at Brigham Young University and a musician and composer. His books include The Mormon Tabernacle Choir: A History and Mormonism and Music: A History.

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