Slave Ship, Memory and the Origin of Modernity
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African Burial Ground
Atlantic Creoles
Atlantic Labour
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Bloch's Work
Bloch’s Work
Brookes Illustration
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Colonial Administration
Congealed Labour
cultural transmission
Dark Holds
diaspora memory
Durkheimian Social Science
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Eric Cross
ethnographic methodology
Frankish Empire
Gwendolyn Midlo Hall
Louisiana Creole
Maritime Archaeology
material culture analysis
memory studies in slavery history
Middle Passage
middle passage studies
Nautical Proletariat
Past Human Beings
Pirate Utopia
Pointe Coupee
Saltwater Slavery
Slave Ship
Slave Trade Ships
transatlantic slavery
Wooden World
Zong Massacre
Product details
- ISBN 9781138602816
- Weight: 310g
- Dimensions: 156 x 234mm
- Publication Date: 09 May 2018
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Traces; slave names, the islands and cities into which we are born, our musics and rhythms, our genetic compositions, our stories of our lost utopias and the atrocities inflicted upon our ancestors, by our ancestors, the social structure of our cities, the nature of our diasporas, the scars inflicted by history. These are all the remnants of the middle passage of the slave ship for those in the multiple diasporas of the globe today, whose complex histories were shaped by that journey. Whatever remnants that once existed in the subjectivities and collectivities upon which slavery was inflicted has long passed. But there are hints in material culture, genetic and cultural transmissions and objects that shape certain kinds of narratives - this is how we know ourselves and how we tell our stories. This path-breaking book uncovers the significance of the memory of the slave ship for modernity as well as its role in the cultural production of modernity. By so doing, it examines methods of ethnography for historical events and experiences and offers a sociology and a history from below of the slave experience. The arguments in this book show the way for using memory studies to undermine contemporary slavery.
Martyn Hudson directs the Co-Curate North East Programme at Newcastle University and works on the relations between sound archives, history, and social machines with a specific interest in web-based slave databases and archives. He has directed arts and history projects with refugees, trauma and torture survivors and trafficked migrants and is currently working with projects to support new boat peoples like the Rohingya and in music projects to support trauma recovery.
