Small Cinemas in Global Markets

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A32=Andrés Laguna Tapia
A32=Catalina Florina Florescu
A32=Catherine Douillet
A32=David Desser
A32=Janina Falkowska
A32=José Cláudio Siqueira Castanheira
A32=Lenuta Giukin
A32=Lydia Papadimitriou
A32=Nikica Gilic
A32=Tito Imanda
Age Group_Uncategorized
Age Group_Uncategorized
and Literature
Asian cinema
automatic-update
Bolivian cinema
Bulgarian documentary
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=GTC
Category=JBCT
Category=JBSL
Category=JFD
Category=JFSL
Central and East-European cinema
COP=United States
Critical Media Studies
Croatian cinema
Delivery_Delivery within 10-20 working days
East-African cinemas
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film
Greek documentary
Language_English
Lithuanian cinema
Media and Society
New Romanian cinema
PA=Available
Polish cinema
Price_€100 and above
PS=Active
Small cinemas
softlaunch
Television

Product details

  • ISBN 9780739196526
  • Weight: 608g
  • Dimensions: 163 x 239mm
  • Publication Date: 18 Dec 2014
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities. Small and big markets for small industries reveal an unimagined diversification of the cultural product and consequently the need to analyze the impact at local, regional, and global levels. Much needed to continue and expand the existing scholarship in the field, this volume is based on research by authors who approach their subject from Western theoretical perspectives with a professional (mostly native) knowledge of the language, cultural realities, and film industry practices. It covers aspects from fifteen different countries, including Bolivia, Brazil, China (Hong Kong), Croatia, East Africa (Kenya, Tanzania, and Uganda), Greece, Indonesia, Lithuania, Bulgaria, Poland, Romania, Morocco, and the United States. Since both film and documentary distribution from certain areas of the globe on international markets remains problematic, it is important for the academic field to discuss and circulate them as much as possible, and to create the basis for further exploration. Documenting and reflecting on the role, state, and reception of the film industry provides scholarly understanding to the industry’s wide range of seemingly chaotic technological transformations.

Lenuta Giukin is associate professor of French language and literature at the State University of New York in Oswego.

Janina Falkowska is professor in the Department of Film Studies at the University of Western Ontario.

David Desser is emeritus professor of cinema studies and comparative and world literatures at the University of Illinois.