Product details
- ISBN 9781501351228
- Weight: 620g
- Dimensions: 160 x 232mm
- Publication Date: 14 Jan 2021
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
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This open access book explores the enduring qualities that have marked Snow White’s influence and legacy, providing a collection of original chapters that reflect upon its pioneering use of technology and contributions to animation’s visual style, the film’s reception within an American context, and its status as a global cultural phenomenon.
Walt Disney’s Snow White and the Seven Dwarfs (David Hand, 1937) occupies a central place within the history of global animation. Based on the German fairy tale by the Brothers Grimm, the film was the first feature-length animated film produced by the Disney Studio and served to announce the animated cartoon as an industrial art form. Yet Disney’s landmark version not only set in motion the Golden Age of the Hollywood cartoon, but has continued to stand as an international sensation, prompting multiple revisions and remakes within a variety of national filmmaking contexts.
The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com.
Chris Pallant is a Reader in Creative Arts and Industries at Canterbury Christ Church University, UK. His publications include Demystifying Disney: A History of Disney Feature Animation (2011), Storyboarding: A Critical History (2015), Animated Landscapes: History, Form and Function (2015) and Animation: Critical and Primary Sources (2021). Chris currently serves as President of the Society for Animation Studies.
Christopher Holliday teaches Film Studies and Liberal Arts at King’s College London, UK, specializing in Hollywood cinema, animation history and contemporary digital media. He has published several book chapters and articles on digital technology and computer animation, including work in Animation Practice, Process & Production and animation: an interdisciplinary journal. He is the author of The Computer-Animated Film: Industry, Style and Genre (2018) and co-editor of Fantasy/Animation: Connections Between Media, Mediums and Genres (2018).
