So What

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33 1/3 books
33 13 books
A01=John Szwed
Author_John Szwed
be kind
biographies
biographies and autobiographies
biography
caitlin moran
Category=AVLP
Category=DNBF
chrissie hynde
cosey fanni tutti
dare to be you
elvis presley
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
film
for dummies
graham nash
henry miller
jazz piano
jazz toni morrison
john coltrane
leonard cohen
lonely boy steve jones
marilyn monroe
music
music biography
not that kind of love
paul mccartney
pop culture
prue leith
shirley maclaine
sophia loren
stuart clark
stuart maconie
sun ra
the lost city of z
tina fey
toni morrison jazz
total recall
william shatner

Product details

  • ISBN 9780099281832
  • Weight: 342g
  • Dimensions: 129 x 198mm
  • Publication Date: 06 Nov 2003
  • Publisher: Cornerstone
  • Publication City/Country: GB
  • Product Form: Paperback
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Miles Davis was one of the crucial influences in the development of modern jazz. His Kind of Blue is an automatic inclusion in any critic's list of the great jazz albums, the one record people who own no other jazz records possess, and still sells 250,000 copies a year in the US alone. But Miles regularly changed styles, leaving his inimitable impact on many forms of jazz, whether he created them or simply developed the work of others, from modal jazz to be-bop, his seminal quintet and his big-band work, to the jazz funk experiments of later years.

Miles not only knew and worked with everyone who was anyone in jazz, from Coltrane to Monk, he was a friend of Sartre's, lover of Juliette Greco and musical collaborator with musicians who ranged from Stockhausen to Hendrix. John Swzed is uniquely well-qualified to do justice to Miles, both in terms of his impact on jazz, and as one of the great Black Americans: as political figure, icon and archetypal cool dude. His book fills in the gaps left by myth-making about Miles' life - both by Miles himself and by his previous biographers - telling the story of his childhood, his depressions and his relationship with heroin as well as the more familiar public career.

John Szwed is Professor of Music and Jazz Studies at Columbia University, and Director of the Center for Jazz Studies at Columbia University. He is the author of a number of books, including Billie Holiday: The Musician and the Myth, Alan Lomax: The Man Who Recorded the World and So What: The Life of Miles Davis.

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