Social Aesthetics and Moral Judgment

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accountability
Aesthetic Engagement
aesthetic experience
aesthetic hedonism
Aesthetic Judgment
aesthetic naivety
aesthetic pluralism
Aesthetic Reflection
Aesthetic Reflective Judgment
aesthetics
Antipathetic Responses
art perception and cultural context
artistic expression
artistic objectivity
Badia Fiesolana
Bence Nanay
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Cinematic Ethics
cinematic experience
Confer
consensus
Corps De Ballet
cross-cultural ethics
cultural learning
Cynthia A. Freeland
Cynthia Freeland
Dense
dissonance
Elizabeth Burns Coleman
Emotional Engagement
Emotional Estrangement
emotional expression
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eq_isMigrated=2
eq_nobargain
Exemplar Representation
Fictional Relief
Follow
Garrett Cullity
Holds
imagination
Imaginative Engagement
inter-subjectivity
Ivan Gaskell
Jane Kneller
Jennifer A. McMahon
Kant
Kapoor's Sculptures
Kapoor’s Sculptures
Keith Lehrer
meaning-making
Medicine Bundle
Mohan Matthen
moral judgment
moral philosophy
Nancy Sherman
Olafur Eliasson
Paul Guyer
philosophy of art
philosophy of color
philosophy of colour
pleasure
preference
reflection
Reflexive Representation
Robert Sinnerbrink
Royal Academy
shared experience
Social Aesthetics
threefoldness
twofoldness
Weather Project
Wollheim

Product details

  • ISBN 9780367666477
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This edited collection sets forth a new understanding of aesthetic-moral judgment organized around three key concepts: pleasure, reflection, and accountability. The overarching theme is that art is not merely a representation or expression like any other, but that it promotes shared moral understanding and helps us engage in meaning-making. This volume offers an alternative to brain-centric and realist approaches to aesthetics. It features original essays from a number of leading philosophers of art, aesthetics, ethics, and perception, including Elizabeth Burns Coleman, Garrett Cullity, Cynthia A. Freeland, Ivan Gaskell, Paul Guyer, Jane Kneller, Keith Lehrer, Mohan Matthen, Jennifer A. McMahon, Bence Nanay, Nancy Sherman, and Robert Sinnerbrink.

Part I of the book analyses the elements of aesthetic experience—pleasure, preference, and imagination—with the individual conceived as part of a particular cultural context and network of other minds. The chapters in Part II explain how it is possible for cultural learning to impact these elements through consensus building, an impulse to objectivity, emotional expression, and reflection. Finally, the chapters in Part III converge on the role of dissonance, difference, and diversity in promoting cultural understanding and advancement.

Social Aesthetics and Moral Judgment will appeal to philosophers of art and aesthetics, as well as scholars in other disciplines interested in issues related to art and cultural exchange.

Jennifer A. McMahon is Professor of Philosophy at the University of Adelaide, Australia. She is the author of Aesthetics and Material Beauty: Aesthetics Naturalized (2007) and Art and Ethics in a Material World: Kant’s Pragmatist Legacy (2014). She edited the inaugural issue of the Australasian Philosophical Review (March 2017) on 'The Pleasure of Art'.