Category=AGA
Category=AGC
Category=NHC
Category=NHG
Category=WCV
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Product details
- ISBN 9780300260090
- Dimensions: 260 x 260mm
- Publication Date: 11 Jan 2022
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Exploring prize textiles known as tiraz, whose meaning and materiality illuminate the interwoven communities of the medieval Islamic world
Social Fabrics looks at tiraz—highly prized textiles enhanced with woven, embroidered, or painted inscriptions in Arabic—to trace the structure of medieval Egyptian society during a transformative period. It reveals a story as interwoven and complex as these delicate objects themselves. A foundational introduction to the topic, this exhibition catalogue combines richly illustrated entries with essays on the history of Egypt at the time, the meaning and materiality of tiraz, and the history of collecting these objects in US institutions. Created throughout the region (including lands now in Iran, Iraq, and Yemen) in the centuries following the Arab Muslim conquest of Egypt, inscribed textiles were a visual form of communication in a society that was ethnically, linguistically, and religiously diverse. Those with inscriptions regulated by the government were particularly valued, proclaiming their owners’ membership in the ruling elite.
Distributed for the Harvard Art Museums
(January 22–May 8, 2022)
Social Fabrics looks at tiraz—highly prized textiles enhanced with woven, embroidered, or painted inscriptions in Arabic—to trace the structure of medieval Egyptian society during a transformative period. It reveals a story as interwoven and complex as these delicate objects themselves. A foundational introduction to the topic, this exhibition catalogue combines richly illustrated entries with essays on the history of Egypt at the time, the meaning and materiality of tiraz, and the history of collecting these objects in US institutions. Created throughout the region (including lands now in Iran, Iraq, and Yemen) in the centuries following the Arab Muslim conquest of Egypt, inscribed textiles were a visual form of communication in a society that was ethnically, linguistically, and religiously diverse. Those with inscriptions regulated by the government were particularly valued, proclaiming their owners’ membership in the ruling elite.
Distributed for the Harvard Art Museums
Exhibition Schedule:
(January 22–May 8, 2022)
Mary McWilliams is Norma Jean Calderwood Curator of Islamic and Later Indian Art at the Harvard Art Museums, Cambridge, MA. Jochen Sokoly is associate professor of art history of the Islamic world at Virginia Commonwealth University, School of the Arts, in Qatar.
