Social Ghosts and the Dead of World History

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A01=Martyn Hudson
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anthropology
anthropology of haunting
archaeology
Author_Martyn Hudson
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cultural theory
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ethnography
folklore
folklore and artefacts
GWF Hegel
haunting
Karl Marx
Language_English
material culture studies
mobile souls
modernity
modernity and metaphysics
Norbert Elias
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phantasms
phenomenology of spirits
prehistory
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social theory
sociology
sociology of death
softlaunch
spectral agency in social theory
spirits
spirits of the dead
statues
verstehen

Product details

  • ISBN 9781032446943
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Social Ghosts and the Dead of World History looks at the global phenomena of the dead in world history, examining the phantasms and spirits of classical social science and philosophy.

From Hegel’s ‘World-Spirit’ to Max Weber’s ‘Verstehen’ and Marx’s phantasms, there is a recurring obsession with the ‘spirits’ of modernity. This book explores the relationships and interactions between those spirits and materiality in five broad areas: the nature of the dead in modernity, shape-shifting and mobile souls, the spirit in accounts of prehistory and archaeology, the phenomenology of spirits and the relation to statues and stone, and the nature of spirit as it is manifested in wooden artefacts and folklore. It offers a counter-modernity to that of classical social science and philosophy and new ways of thinking about our crises and catastrophes in social theory and the world and the worlds beyond this world.

Building on the author’s previous work on the sociology of haunted houses and landscapes, it examines the body and the individual as the locus of haunting. The book will appeal to academics in philosophy, history, social theory, anthropology and cultural studies in its omni-disciplinarity and in its import for rethinking the histories of social thought.

Martyn Hudson is an Assistant Professor in Art and Design History at Northumbria University and the author of nine books on critical theory, history and visual culture. He is the editor of the ‘Visual Modernities’ series at Routledge.

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