Social History of Art, Volume 3

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A01=Arnold Hauser
antoine
art and social change
art history social context
Author_Arnold Hauser
bourgeois
Bourgeois Class Consciousness
Bourgeois Drama
bourgeoisie
Category=AGA
Category=NHTB
class
Classical Tragedy
court
coypel
cultural production theory
De La Fayette
domestic drama origins
Eighteenth
eighteenth-century intellectual history
Emilia Galotti
enlightenment aesthetics
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exclusive Principle
German Intelligentsia
German Middle Class
Industrious Cities
La Tour
Louis XIV
middle
Middle Class Art
Middle Class Drama
modern
Moliere
nobility
Paris Shopkeepers
Paris Theatres
Pastor Fido
Pastoral Poetry
revolutionary
Revolutionary Bourgeoisie
Salto Mortale
Shepherd's Life
Shepherd’s Life
Sofa
Violates
visual culture analysis
Young Man

Product details

  • ISBN 9780415199476
  • Weight: 530g
  • Dimensions: 138 x 216mm
  • Publication Date: 11 Feb 1999
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.
This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.

Arnold Hauser was born in Hungary and studied literature and the history of art at the universities of Budapest, Vienna, Berlin and Paris. In 1921 he returned to Berlin to study economics and sociology under Ernst Troeltsch. From 1923 to 1938 he lived in Vienna where he began work on The Social History of Art. He lived in London from 1938 until 1977, when he returned to his native Hungary. He died in Budapest in 1978., Jonathan Harris is Senior Lecturer in Art History and Critical Theory at the University of Keele. He is the author of Federal Art and National Culture: The Politics of Identity in New Deal America (1995), co-author of Modernism in Dispute: Art Since The Forties (1993) and co-editor of Art in Modern Culture: An Anthology of Critical Texts (1992).

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