Social History of Contemporary Democratic Media

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A01=Jesse Drew
AFL CIO President
alternative media studies
Author_Jesse Drew
Boing Boing
broadcast media
Category=GTC
Category=JBCC
Category=JBCT
Category=KNT
Category=NHTB
Common Carrier
Deep Dish
Deep Dish Television
Dish Network
Educational Television Stations
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
FCC Policy
globalization
grassroots media
grassroots media activism
horizontal communication
Independent Video
Jesse Drew
La Mujer Obrera
labor media networks
local community media evolution
Low Power FM
Low Power FM Radio
mass media
media globalization critique
NBC Network
Net Neutrality
Occupy Wall Street
participatory communication
Play Back
Protect IP Act
Public Access
Public Access Television
research
social networks
SOPA
Treasure Hunters
Tv Broadcast Network
Tv News
user-centered media theory
Video Collectives
Young Man

Product details

  • ISBN 9781138888258
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Apr 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The last few decades have helped dispel the myth that media should remain driven by high-end professionals and market share. This book puts forward the concept of "communications from below" in contrast to the "globalization from above" that characterizes many new developments in international organization and media practices. By examining the social and technological roots that influence current media evolution, Drew allows readers to understand not only the Youtubes and Facebooks of today, but to anticipate the trajectory of the technologies to come.

Beginning with a look at the inherent weaknesses of the U.S. broadcasting model of mass media, Drew outlines the early 1960s and 1970s experiments in grassroots media, where artists and activists began to re-engineer electronic technologies to target local communities and underserved audiences. From these local projects emerged national and international communications projects, creating production models, social networks and citizen expectations that would challenge traditional means of electronic media and cultural production. Drew’s perspective puts the social and cultural use of the user at the center, not the particular media form. Thus the structure of the book focuses on the local, the national, and the global desire for communications, regardless of the means.

Jesse Drew is Professor of Technocultural Studies at the University of California, Davis, US.

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