Social History of English Music

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A01=Eric David Mackerness
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British cultural studies
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Catholic emancipation
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Cinema
concerts
coward
Economic crises
Education
Edward III
Employment
English Dancing Master
English music
English music social context analysis
English Musical Life
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Friendship
Gardens
Gentlemen's Concerts
Gentlemen’s Concerts
George III
Government
henry
historical ethnomusicology
Incorporated Society
industrial revolution society
John Curwen
John Marsh
Labourers
life
Literature
london
Madrigal Society
Melodrama
Middle Ages
Monarchy
Music
Music Halls
musical
Musical Appreciation Movement
Musical Instrument Manufacturers
musical public
musicology
Newcastle
Newspaper
Novel
Opus Dei
Periodicals
Piano Forte
Plainsong Melodies
Poetry
Professions
promenade
Protestant Reformation
Regularis Concordia
Relationships
Renaissance musical public
Schools
Secularism
social history
sol
Sol Fa
Technology
Theatre
times
tonic
Tonic Sol Fa
Tonic Sol Fa Method
Tonic Sol Fa Notation
Tonic Sol Fa Reporter
Vice Versa
Victorian education reforms
Warsaw Concerto
Young Men
Youth

Product details

  • ISBN 9780415611398
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Nov 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 2006. The social history of music first makes an appearance—even if only sporadically—in treatises which during the seventeenth and eighteenth centuries gave some account of the manners and morals of specific periods, and of these socio-historical writings one of the most comprehensive is Voltaire's Siele de Louis XIV (1751). In this volume the author, without going over too much familiar ground, presents a view of English musical history from the Middle Ages.
Eric David Mackerness, Department of English, Sheffield University

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