Social History of the Brazilian Samba

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A01=Lisa Shaw
Author_Lisa Shaw
authoritarian regime
Belo Horizonte
Black Wet Nurse
Bossa Nova
Bossa Nova Movement
Brazilian popular music
Brazilian samba
Casa Grande
Category=JHB
Category=NH
Category=NHK
Chopin
City's Musical Scene
City’s Musical Scene
Coconut Palm
cultural appropriation
cultural development
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eq_history
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eq_nobargain
eq_non-fiction
eq_society-politics
Garota De Ipanema
GetAolio Vargas era
Longing Longing
Lower Middle Class White
Mature Samba
Meu Amor
Mulatto Girl
music industry history
National Library
Noel Rosa
Nosso Senhor
Pelo Telefone
political influence on samba development
Popular Brasileira
Pra Mim
RCA Victor
samba composers analysis
samba lyrics
social transformation
Vargas Era
working-class identity
Young Men

Product details

  • ISBN 9780367024215
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Aug 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 1999, this volume examines the impact of political, social and cultural developments on the nation’s most popular musical form, samba, in the context of the period 1930-45, one of huge social change in Brazil, with the introduction of industrialization under the authoritarian regime of Getúlio Vargas. She looks at the context in which the songs were written, the life styles and social positions of the composers (sambistas), and their relationship to political and commercial structures.

By studying samba lyrics we can obtain a clear picture of samba lyrics we can obtain a clear picture of samba’s shifting status as it was transformed from the music of working-class blacks and was appropriated by mainstream middle-class culture. The final chapters of the book focus on the lyrics of three influential sambistas: Ataúlfo Alves, Noel Rosa and Ari Barroso, and look at the manner in which their songs both comply with and flout tradition and authority.

Lisa Shaw is Reader in Portuguese and Brazilian Studies at the University of Liverpool. She is author of The Social History of the Brazilian Samba (1999), co-author of Popular Cinema in Brazil (2004) and co-editor of Latin American Cinema: Essays on Modernity, Gender and National Identity (2005).

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