Social Justice and the Arts

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Actual Public Space
Art Pedagogy
arts-based pedagogy
Bell Lee Anne
Black Dancing Body
Boalian Technique
building
Category=ABA
Category=JNAM
collective
Collective Identity Building
critical
critical pedagogy
Critical Performative Pedagogy
Digital Storytelling
Dipti Desai
educational equity
Eighth Grade Participants
Eighth Grade Social Studies Teacher
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Erika Mein
Fellow Art Educator
Forum Theatre
forum theatre methods
Greg McClure
identity
Judy M. Iseke
Karen M. Gourd
Making Activist Art
Marit Dewhurst
Mary Stone Hanley
multimodal literacies
Paul Duncum
Pedagogical Witness
pedagogies
pedagogy
performative
Performative Pedagogy
Post-performance Discussion
power and privilege
Preservice Art Teachers
Professional Development
Public Engagement
Rosemarie A. Roberts
Ruth Harman
Sea Water
SFL
Social Change and Education
Social Ghosts
Social Justice Art
Social Justice Art Education
Social Justice Pedagogies
Social Justice Practices
The Arts and Social Justice
Tina Y. Gourd
transformative arts education practices
Young Man

Product details

  • ISBN 9780415741729
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Mar 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the relationship between social justice practices and the Arts in Education. It argues that social justice practices, at their best, should awaken our senses and the ability to imagine alternatives that can sustain the collective work necessary to challenge entrenched patterns and practices. Chapters display a range of arts-based pedagogies for challenging oppressive practices in schools, community centers and other public sites. The examples provided illustrate both the promise and on-going challenge of enacting arts based social justice practices that can transform consciousness and organize action toward justice and social change. They show the power of arts-based pedagogies to engage the imagination, reveal invisible operations of power and privilege, provoke critical reflection, and spark alternative images and possibilities. They also show the importance of on-going critical reflection for this work with attention to both the specificities of place and the obstacles (internal and external) to maintaining a social justice stance in the face of contemporary neoliberal discourses.

This book was originally published as a special issue of Equity & Excellence in Education.

Lee Anne Bell is Professor and Barbara Silver Horowitz Director of Education at Barnard College, Columbia University, USA. Her most recent book is Storytelling for Social Justice: Connecting Narrative and the Arts in Antiracist Teaching (Routledge, 2010) and she is co-editor of Teaching for Diversity and Social Justice: A Sourcebook (Routledge, 2007). She recently produced a documentary film about integration in Mississippi that powerfully exposes, through the recollections of those who lived through this historic period, the individual and institutional practices and impacts of racism in education (2013). Dipti Desai is an Associate Professor and Director of the graduate program in art education at New York University, USA. As a scholar and artist-educator she is committed to addressing the formative role of visual representation and its politics in order to affect social change. She has published widely in the area of critical multiculturalism/ critical race theory in art education, contemporary art as a pedagogical site, and critical pedagogy. Her co-authored book History as Art, Art as History: Contemporary Art and Social Studies Education received an Honorable mention for the Curriculum Practice Category by Division B of the American Education and Research Association.