Social Practice Art in Turbulent Times

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2009's Art Basel Miami Beach
2009’s Art Basel Miami Beach
activist aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Ai Qing
Ai Weiwei
art and politics
art and social change
art history
automatic-update
B01=Eric J. Schruers
B01=Kristina Olson
Black Lives Matter
Black Rock City
Black Rock Desert
Blue Bra
Burning Man
Cameron Cartiere
Category1=Non-Fiction
Category=AB
Category=JB
Category=JF
Category=JP
China
Chinese Government
Civil Rights Photography
community engagement
Conical Intersect
contemporary art
Contemporary Collaborative Art
COP=United Kingdom
creative practice
critical art theory
Delivery_Delivery within 10-20 working days
Donald Trump
EDM
Egypt
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fluxus
Fluxus Artists
food and art
France
Free Italy
graffiti
Graffiti Writers
Grand Factory
Han Dynasty Urn
interactive art
John Lennon
Language_English
Lee Mingwei
Lorraine O'Grady
Lorraine O’Grady
Mel Chin
migrant crisis
music festival
PA=Available
participatory art
political activism
political agenda
political art
politically engaged art practices
popular culture
Price_€100 and above
protest art
PS=Active
public intervention
public space
refugees
relational aesthetics
resistance
revolution
Social Practice Art
social practice art production
social sculpture
softlaunch
Street Art
Studio Museum
surveillance
Tahrir Square
turbulent times
urban renewal
Van De Weijer
Yoko Ono
Young Man

Product details

  • ISBN 9781138325906
  • Weight: 692g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Aug 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This volume is an anthology of current groundbreaking research on social practice art. Contributing scholars provide a variety of assessments of recent projects as well as earlier precedents, define approaches to art production, and provide crucial political context. The topics and art projects covered, many of which the authors have experienced firsthand, represent the work of innovative artists whose creative practice is utilized to engage audience members as active participants in effecting social and political change. Chapters are divided into four parts that cover history, specific examples, global perspectives, and critical analysis.

Eric J. Schruers is Assistant Professor of Art History at Fairmont State University, United States.

Kristina Olson is Associate Director and Associate Professor of Art History at West Virginia University, United States.