Social Trauma, Narrative Memory, and Recovery in Japanese Literature and Film

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A01=David C. Stahl
A01=David Stahl
advanced recovery
Age Group_Uncategorized
Age Group_Uncategorized
Author_David C. Stahl
Author_David Stahl
automatic-update
Behavioral Re-enactment
Behavioral Reenactments
Bird's Eyes
Bird's Father
Bird’s Eyes
Bird’s Father
Black Rain
canonical Japanese novels
Category1=Non-Fiction
Category=APF
Category=ATF
Category=DS
Compulsive Re-enactment
COP=United Kingdom
Create Narrative Memory
Dead Man
Delivery_Delivery within 10-20 working days
Develop Radiation Sickness
dissociated traumatic memory
dissociation studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Foundational Trauma
Grass On The Wayside
Japanese film
Japanese narrative theory
Kuroi Ame
Language_English
Medium Shot
mourning and memory research
Narrative Memory
PA=Available
partial recovery
Price_€100 and above
PS=Active
Psychological Access
psychological trauma analysis
psychosocial healing
PTSD in literature
Ptsd Study
Ptsd Symptomology
Radiation Sickness
Rain Drops
Safe Social Environment
SN=Routledge Contemporary Japan Series
Social Trauma
softlaunch
Tea Pot
trauma recovery in Japanese fiction and film
Trauma Story
Ueno Park
Young Man

Product details

  • ISBN 9781138019362
  • Weight: 506g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book provides a comprehensive analysis of major works in Japanese literature and film through the interpretive lens of trauma and PTSD studies. Focusing critical attention on the psychodynamics and enduring psychosocial aftereffects of social trauma, it also evaluates the themes of dissociation, failed mourning, and psychological defence fantasies.

Building on earlier studies, this book emphasizes the role of protagonists in managing to effect partial recovery by composing memoirs in which they transform dissociated traumatic memory into articulate, narrative memory or bring about advanced recovery by pioneering alternative means of orally communicating, working through, and overcoming debilitating personal histories of traumatization and victimization. In so doing, Stahl also demonstrates that what holds true on the individual and microcosmic level, also does so on the collective and macrocosmic level.

This new critical approach sheds important new light on canonical Japanese novels and films and enables recognition and appreciation of integral psychosocial aspects of these traumatic narratives. As such, the book will be of huge interest to students and scholars of Japanese film and literature, as well as those of trauma studies.

David C. Stahl is Professor of Japanese Literature and Cinema at Binghamton University, USA. His publications include Trauma, Dissociation and Re-enactment in Japanese Literature and Film (2017) and The Burdens of Survival: Ōoka Shōhei’s Writings on the Pacific War (2003).

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