Soft Matter

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A01=Julia Vaingurt
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allegory
Andrei Bitov
Andrei Platonov
Author_Julia Vaingurt
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Autumn Marathon
avant-garde theater
British panto
Category1=Non-Fiction
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Category=DSB
Category=DSRC
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Cinderella
community
COP=United States
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disability
dissidence
dissidents
ecology
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Evgenii Kharitonov
gender subversion
Gianni Vattimo
graphomania
holy fool
holy foolishness
homosexuality
Igor Terentev
impotentiality
intemperance
Iulii Kim
Ivan Kramskoi
Ivan Turgenev
Jacques Lacan
kinship
Kurt Vonnegut
Lacan
Language_English
Lao Tsu
Larisa Shepitko
late Soviet
late Soviet unofficial art
late Soviet unofficial prose
Lev Tolstoy
little man
masculinity
Mikhail Kuzmin
narrative transvestism
Nikolai Gogol
Nikolai Leskov
Office Romance
or Enjoy your Bath!
Oscar Wilde
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performance
Pierre Bezukhov
pliability
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punitive psychiatry
queerness
Rita Rait-Kovaleva
Sasha Sokolov
schizophrenia
shared aesthetics
Slaughterhouse five
softlaunch
softness
Soviet dissidents
stagnation
Superfluous man
thaw
The Ascent
The Irony of Fate
transnationalism
unofficial prose
Vasil Bykov
Vasilii Kamensky
Vasilii Rozanov
Vasilisk Gnedov
Venedikt Erofeev
Wanderings of Billy Pilgrim
weak man
Weak thought
Weakness
writer's block

Product details

  • ISBN 9780810148154
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jan 2025
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Identifies and examines a poetics of weakness in Soviet underground literature

Artists of the late Soviet era sought new, nonconformist ways of approaching literary fiction, arriving at weaknessas a crucial principle of narrative and character formation. Julia Vaingurt argues that this counter-discourse of strategic weakness constituted both an aesthetic strategy and an ethical code, affording like-minded authors a feeling of recognition and commonality and uniting an international community of artists in resistance to the divisiveness of their worlds. Soft Matter: The Poetics of Weakness in Late Soviet Socialism explores the cultivation of weak subjectivity through modes such as gender subversion, queer holy foolishness, intoxication, madness, and writing disorders like graphomania and writer’s block. Identifying the poetics of weakness as formative for Soviet underground literature of the 1960s and ’70s, Vaingurt also traces the inheritance of a far older tradition within Russian culture of salutary weakness. As democratic deliberation continues to be under threat around the world, alternatives to the ubiquitous politics of force are an aesthetic, ethical, and ideological imperative.

Julia Vaingurt is a professor in the Department of Polish, Russian, and Lithuanian Studies at the University of Illinois Chicago. Her previous books include Wonderlands of the Avant-Garde: Technology and the Arts in Russia of the 1920s, also published by Northwestern University Press.

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