Something Speaks to Me

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A01=Michel Chaouli
A01=Professor Michel Chaouli
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Author_Michel Chaouli
Author_Professor Michel Chaouli
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Category1=Non-Fiction
Category=DSB
COP=United States
criticism
Delivery_Delivery within 10-20 working days
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
Friedrich Schlegel
interpretation
intimacy
Language_English
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PA=Available
poetic
Price_€50 to €100
PS=Active
Roland Barthes
softlaunch
Stanley Cavell
urgency

Product details

  • ISBN 9780226830315
  • Weight: 313g
  • Dimensions: 140 x 216mm
  • Publication Date: 16 Feb 2024
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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An account of criticism as an urgent response to what moves us.

Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us.

We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.
Michel Chaouli is professor of German and comparative literature at Indiana University Bloomington, where he also directs the Center for Theoretical Inquiry in the Humanities. His recent publications include Thinking with Kant’s “Critique of Judgment” and the coedited volume Poetic Critique: Encounters with Art and Literature.

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