Sonatas, Screams, and Silence

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A01=Alexis Luko
Act III
art film
auditory perception film
auteur film
auteur studies
Author_Alexis Luko
Autumn Sonata
Bach Cello Suites
Bach's Sarabandes
Bach’s Sarabandes
bergman
Bergman's Films
Bergman’s Films
Category=ATF
Category=AVL
Category=JBCT
Category=NH
Cello Suite
Chopin
Chopin Prelude
cinema
cinema history
cinema studies
cinematic voice studies
Der Leiermann
Dream Play
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eq_bestseller
eq_history
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eq_music
eq_nobargain
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Fanny and Alexander
film auteur
film directors
film history
film music
Film Music Studies
film musicology
film score
film sound
film studies
filmmakers and music
Fingal's Cave
Fingal’s Cave
Glass Harmonica
ingmar
ingmar bergman
Ingmar Bergman and music
interdisciplinary film research
intertextuality
media studies
Merry Widow
music and the moving image
music in cinema
music in film
Musical Repetition
musicology
Mute Scream
narrative sound analysis
psychoacoustics
psychological impact of film soundtracks
Royal Swedish Opera
Scandinavian cinema sound
screen music
Screen Music Studies
Serpent's Egg
Serpent’s Egg
Seventh Seal
sound
sound studies
soundtrack
soundtrack studies
soundtracks
Strindberg
Swedish film
Swedish film music
Televised Production
The Seventh Seal
Vice Versa
Wild Strawberries
Winter Light
Young Man

Product details

  • ISBN 9780415840309
  • Weight: 589g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Oct 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman is the first musical examination of Bergman’s style as an auteur filmmaker. It provides a comprehensive examination of all three aspects (music, sound effects, and voice) of Bergman’s signature soundtrack-style. Through examinations of Bergman’s biographical links to music, the role of music, sound effects, silence, and voice, and Bergman’s working methods with sound technicians, mixers, and editors, this book argues that Bergman’s soundtracks are as superbly developed as his psychological narratives and breathtaking cinematography. Interdisciplinary in nature, this book bridges the fields of music, sound, and film.

Alexis Luko is an Assistant Professor of Musicology in the School for Studies in Art and Culture and the College of the Humanities at Carleton University in Ottawa, Canada.

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