Song Interpretation in 21st-Century Pop Music
Regular price
€192.20
A01=Allan F. Moore
A01=Andre Doehring
A01=Ralf von Appen
African American Musical Idioms
analytical approaches to 21st-century songs
ASPM
Author_Allan F. Moore
Author_Andre Doehring
Author_Ralf von Appen
bass
Big Boi
Category=AVLP
Category=JBCC1
contemporary music genres
cross-cultural music studies
dance
Death Cab
Distant Bystander
DJ Set
drum
electronic
Electronic Popular Music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
fleet
Fleet Foxes
foxes
GDR Authority
Harmonic Area
Latin American Dance Music
lead
line
mainstream and indie music comparison
musicology research methods
Nasty Girl
Opus Dei
Plate Reverb
Pop Star
popular
popular music analysis
Quarter Note Triplets
Singer's Persona
Singer’s Persona
snare
Son Clave
song meaning interpretation
Spanish Language
Summertime Blues
Terminal Climax
TiK ToK
West Germany
Young Men
Product details
- ISBN 9781472428004
- Weight: 720g
- Dimensions: 156 x 234mm
- Publication Date: 28 Apr 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Existing books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The authors analyse and interpret them intensively from a variety of theoretical positions that illuminate the song. Thus, methods and theories have to prove their use value in the face of a heterogeneous, contemporary repertoire. The book brings together researchers from very different cultural backgrounds and encourages them to compare their different hearings and to discuss the ways in which they make sense of specific songs. All songs analysed are from the new millennium, most of them not older than three years. Because the most widely popular styles are too often ignored by academics, this book aims to shed light on how million sellers work musically. Therefore, it encompasses a broad palette, highlighting mainstream pop (Lady Gaga, Ke$ha, Lucenzo, Amy McDonald), but also accounting for critically acclaimed ’indie’ styles (Fleet Foxes, Death Cab for Cutie, PJ Harvey), R&B (Destiny’s Child, Janelle Monae), popular hard rock (Kings of Leon, Rammstein), and current electronic music (Andrés, Björk). By concentrating on 13 well-known songs, this book offers some model analyses that can very easily be studied at home or used in seminars and classrooms for students of popular music at all academic levels.
Ralf von Appen holds a Ph.D. in Musicology from the University of Gießen, Germany, where he has been working as a teaching and research assistant since 2004. He has published widely about the history, psychology, aesthetics and analysis of popular music. André Doehring studied Musicology and Sociology and is working as a musicologist at the University of Gießen, Germany. His current research topics focus on jazz, electronic dance music, popular music journalism, analysis and the sociology of music. Dietrich Helms is Professor of Music History at the University of Osnabrück, Germany. He studied Musicology, English and Sociology at the University of Münster, Germany, and the Universities of East Anglia and Oxford, UK. He has published widely on music at the court of Henry VIII, popular music, music of early modern times and musical theatre for children. Allan Moore is Professor of Popular Music at the University of Surrey, UK. His chief research interests lie in the domain of the interaction of music and lyrics in recorded song in the service of potential readings. He is series editor of Ashgate’s ’Library of Essays in Popular Music’ and author to date of five monographs including Rock: the Primary Text and Song Means (both Ashgate).
