Product details
- ISBN 9781118524671
- Weight: 249g
- Dimensions: 175 x 249mm
- Publication Date: 26 Mar 2013
- Publisher: John Wiley and Sons Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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The last twenty years or so have seen a surge of interest in the philosophy of music. However there is comparatively little philosophical literature devoted specifically to songs, singing and vocal music in general. This new collection of essays on the philosophical aspects of song and singing includes articles on the relationship between words and music in songs, the ontology of songs and recordings, meaning in songs, the metaphysics of vocal music in opera and the movies, and the ethical challenges raised in song performance. The essays discuss a large range of examples, including rock, lieder, jazz songs, blues, doo wop, and rap.
New essays by leading philosophers of art, including Peter Kivy (on "realistic song" in film), Jerrold Levinson (on jazz singing), Lee B. Brown (on the "minstrel hypothesis" in popular music), and Ted Gracyk (on linguistic pragmatics and song meaning).
Papers that offer ground-breaking theories of the appreciation of rock recordings, the ethical implications of popular songs, the ontology of ephemeral artworks, the ontological status of cover versions, and of how a genre of popular music can both express and be a function of its social context papers that challenge existing accounts of much-debated topics, including operatic metaphysics and of the ontology of recorded music.
Interdisciplinary essays that cut across aesthetics, philosophy of music, cultural music studies and musicology.
Essays that are clearly written and engaging.
Jeanette Bicknell is an independent scholar, author and consultant.?She is the author of Why Music Moves Us (Palgrave, 2009).?Her work, on the aesthetic of music and other topics in aesthetics and ethics, has appeared in the Journal of Aesthetics and Art Criticism, Philosophy & Literature, and the Journal of Value Inquiry, among others.
John Andrew Fisher is Emeritus Professor of Philosophy at the University of Colorado at Boulder, USA.?He is the author of Reflecting on Art and articles in epistemology, philosophy of language and philosophy of mind; in recent years he has concentrated on various themes in the philosophy of art, including the ontology of art works, the ontology of rock music, the nature of songs, technology and art, the distinction between high and low art, as well as articles on the aesthetics of nature and environmental aesthetics.
