Songbook of Slavery and Emancipation

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A02=Kathy Bullock
abolitionist movement
Agonizing
Amazing Grace
Author_Kathy Bullock
Category=AVM
Category=AVQS
Category=NHTS
Children
Civil War
Cruel Slavery Days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Flight of the Bondman
forthcoming
freedom
Gabriel Prosser
Go Down Moses
Haitian Revolution
How Long
Hymn of Freedom
hymns
justice
Kingdom Coming
laments
liberty
March On
Nat Turner
Pop Goes the Weasel
Rebeldia na Bandabou
rebellion
Recognition March of the Independance of Hayti
resistance
Right On
sheet
Song of the Aliened American
spirituals
Stole and Sold from Africa
Tablature
The African Hymn
The Band of Thieves
THE DIRGE OF ST. MALO
The Enlisted Soldiers
The Negro General
The True Spirit
The Voice of Six Hundred Thousand Nominally Free
To the White People of America
Uncle Gabriel
Underground Railroad
We All Shall Be Free
We'll Soon Be FreeMy Father
What Mean Ye?
Woman's Rights
Year of Jubilo

Product details

  • ISBN 9781496863423
  • Dimensions: 216 x 279mm
  • Publication Date: 15 Jun 2026
  • Publisher: University Press of Mississippi
  • Publication City/Country: US
  • Product Form: Paperback
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Throughout the history of slavery in the Americas, music carried messages of survival, rebellion, and solidarity. Enslaved people composed songs that were far more than laments—they were calls for liberty and revolution, celebrating heroes like Gabriel Prosser and Nat Turner and the triumph of the Haitian Revolution.

Alongside these songs, fugitive and free Black people and white abolitionist allies created and circulated songs that fueled the abolitionist movement. Sung in meetings, printed in songbooks, and passed hand to hand, these works stirred action and sustained courage well into the Civil War.

A Songbook of Slavery and Emancipation brings together these long‑hidden voices. Mat Callahan and Kathy Bullock present sheet music for recently unearthed slave songs and abolitionist songs—some dating as far back as 1784—to make them available to chorus leaders, music teachers, church and community groups, and individual singers and musicians inspired by these powerful songs. Included in the book is a brief history of the project, background material on each song, and explanatory notes regarding the different styles of singing presented.

This collection stands as both history and testimony: a living archive of music that called for the end of slavery, the emancipation of African Americans, and a future built on equality and human dignity. These songs do not simply mourn oppression; they demand resistance, freedom, and justice.

Mat Callahan is author or editor of five books, including The Explosion of Deferred Dreams: Musical Renaissance and Social Revolution in San Francisco, 1965–1975 and A Critical Guide to Intellectual Property. His recent projects include the republication of Songs of Freedom: The James Connolly Songbook; the recording and publication of Working-Class Heroes: A History of Struggle in Song; and Songs of Slavery and Emancipation, an audio recording, film, and book, the latter published by University Press of Mississippi. Find more information about the author at http://www.matcallahan.com.

Kathy Bullock is professor emerita of music at Berea College. She currently teaches, performs, and conducts workshops and other programs on African American music throughout the United States, Europe, and Africa.

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