Songs and Sounds of the Anti-Rent Movement in Upstate New York

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1839-1844
1845-1846
A01=Nancy Newman
Anti-Rent Movement music
Author_Nancy Newman
Broadsides and protest poetry in early America
Category=AVC
Category=AVLT
Category=AVM
Category=NHK
Category=WQH
Cultural legacy of the Anti-Rent Movement
Down with the Rent
Dramatization of the Anti-Rent Movement in literature and film
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eq_bestseller
eq_history
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eq_music
eq_nobargain
eq_non-fiction
Feudal land ownership and tenant rebellion
Folk traditions of political resistance
historical lyrics for performers
History of tenant protests in New York State
How music shaped 19th-century American protests
Songs written during the Anti-Rent War
Tin Horn Rebellion
Vernacular music in social reform movements

Product details

  • ISBN 9798855800715
  • Weight: 567g
  • Dimensions: 216 x 279mm
  • Publication Date: 02 Jul 2025
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Paperback
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Includes 22 new settings of period tunes, and examines the expressive culture of the largest antebellum tenant farmer protest from its origin to its 21st-century reverberations.

Upstate New York's Anti-Rent Movement is considered the last struggle over feudalism in the United States. Tenant farmers in the Hudson-Mohawk region engaged in organized protest throughout the 1840s to contest monopoly ownership of the land they worked. Arguing their cause in newspapers, on broadsides, and at rallies, their aspirations also took shape in poetry and song. More than twenty sets of lyrics (and one instrumental composition) were written at various stages of the conflict. Some of their musical sources, such as "Old Dan Tucker" and "Bruce's Address," are still well known. Each fully contextualized song offers insight into the role vernacular music played in one of the nineteenth century's major social reform movements.

This is the first book to gather the poetry and corresponding tunes into one publication. It provides detailed analysis of the repertory, followed by new musical scores of the songs, reconstructed from contemporary historical sources for study and performance. It also examines the movement's later dramatization in novels, film, and public commemorations as successive generations grapple with its meaning.

Nancy Newman is Professor of Music at the University at Albany, State University of New York. She is the author of Good Music for a Free People: The Germania Musical Society in Nineteenth-Century America.

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