Songs of Joni Mitchell

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A01=Anne Karppinen
Author_Anne Karppinen
autobiographical songwriting
Big Yellow Taxi
Cactus Tree
Category=AVLP
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critical discourse analysis
cultural identity in music
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Feminist CDA
feminist musicology
gendered authorship in 1970s rock
genre
laura
Laura Nyro
Laurel Canyon
lawns
Male Singer Songwriters
Male Version
Melody Maker
Mitchell's Life
Mitchell's Songs
Mitchell's Voice
mitchells
Mitchell’s Life
Mitchell’s Songs
Mitchell’s Voice
Neil Young
nyro
Personas
Popular Music
rock criticism studies
Rock Critics
Rock Magazines
Rock Music
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Rock Writing
Rolling Stone
seagull
Sexual Revolution
singer
Singer Songwriter Genre
songwriter
summer
Summer Lawns
Timeless
voice
Von Appen
women in popular music

Product details

  • ISBN 9780367229313
  • Weight: 390g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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An unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why?

Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life.

Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines. In one of the only books to discuss Mitchell's recorded performances, with a focus that extends beyond the seminal album Blue, Karppinen explores the craft of Mitchell's songwriting and her own attitudes towards it, as well as the dynamics and politics of rock criticism in the 1960s and 1970s more generally.

Anne Karppinen is a university teacher, translator and musician. She earned her MA in English and her PhD in Contemporary Culture from the University of Jyväskylä, Finland. She teaches English at The Open University of the University of Jyväskylä, Finland.

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