Songs of Tagore

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Rabindranath Tagore
A01=Satyajit Ray
Age Group_Uncategorized
Age Group_Uncategorized
Arup Ratan
Auspicious Songs
Author_Rabindranath Tagore
Author_Satyajit Ray
automatic-update
B01=Ananda Lal
Bengali Lyrics
Bengali musicology
Bird's Eye
Bird’s Eye
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AN
Category=APFN
Category=ATD
Category=ATFN
Category=AVA
Category=AVH
Category=AVN
Category=AVP
Category=GTB
Category=GTM
Category=HBJF
Category=NHF
COP=United Kingdom
cultural performance research
Delivery_Delivery within 10-20 working days
Dense
devotional love
English translation
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Grove Music Online
Indian classical traditions
Indian Music
Inherent Vowel
international transcription
Kazi Nazrul Islam
Language_English
lyric translation studies
music scores
PA=Available
Price_€20 to €50
PS=Active
Rabindranath Tagore
Rabindrasangit
Rabindrasangit interpretation for scholars
Raga Yaman
Rakta-karabi
Red Lotus
Red Oleander
romantic love
Sangeet Natak Akademi
Sanskritic convention
Satyajit Ray
Scale Degree
Shakespeare's Dramatic Texts
Shakespeare’s Dramatic Texts
softlaunch
staff notation analysis
Standard Bengali
Tagore's Drama
Tagore's Songs
Tagore’s Drama
Tagore’s Songs
Tapati
theatre music studies
transliteration chart
Western Notation
Western Staff Notations

Product details

  • ISBN 9781032233383
  • Weight: 300g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Rabindranath Tagore composed over 2000 songs that are revered and sung by Bengalis everywhere. However, they remain mostly unknown to listeners from other communities. This book brings the Nobel Laureate’s unique music — Rabindrasangit — to a global audience, with a lucid introduction by Ananda Lal as well as selected songs in international transcription and English translation. It includes an essay written originally in Bengali by the celebrated filmmaker Satyajit Ray, himself a Tagore student and music composer. Ray presents his thoughts on Rabindrasangit, its nuances, music, history, and usage. Lal has also translated this essay into English for the first time.

The book also presents for the first time faithful staff notations of all 41 songs in three of Tagore’s major plays — Rakta-karavi, Tapati, and Arup Ratan — providing a thematic unity to the music section. This volume will be of interest to Tagore and Ray enthusiasts and specialists, musicologists, and students of music, theatre, literature, performance studies, and cultural studies. It will appeal not only to scholars but to general readers wanting to know more about Tagore’s songs, as well as directors, arrangers, composers, and singers who may wish to perform or interpret the songs transcribed.

Rabindranath Tagore and Satyajit Ray need no introduction to audiences worldwide. Nevertheless, readers of this book may like to know that Tagore was the first non-European to be awarded the Nobel Prize for Literature, and composed the songs chosen later as the national anthems of India and Bangladesh. Ray is of course a legendary director in global cinematic history, but he was also a fluent practitioner of Western classical and Indian music.

Ananda Lal, an international authority on Tagore, theatre and translation, retired as Professor of English, Jadavpur University, Kolkata. His most important publications include Rabindranath Tagore: Three Plays (the first book in English exclusively on Tagorean drama), The Oxford Companion to Indian Theatre (the first reference work on this subject in any language), and the research-based CD The Voice of Rabindranath Tagore (on Tagore's own recordings). He has written on the interface between popular Western and contemporary Indian music, and was a regular columnist on rock and jazz for the newspapers The Statesman and The Telegraph, Kolkata. Trained in Rabindrasangit at Indira, Kolkata, he has directed theatre productions and poetry-jazz performances.

More from this author