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A01=Cecile Godefroy
A01=Celeste Day Moore
A01=Christoph Benjamin Schulz
A01=Dirk Van Oost
A01=Emilie Hammen
A01=Gail Levin
A01=Geoffrey Ripert
A01=Hilde D'haeyere
A01=Hilde D’haeyere
A01=Kaat Obbels
A01=Kasia Stempniak
A01=Laurent Cotta
A01=Margarete Zimmermann
A01=Marjan Sterckx
A01=Maude Bass-Krueger
A01=Noah Dubay
A01=Patrick Raynaud
A01=Rachel Silveri
A01=Ruth Hommelen
A01=Steven Jacobs
A01=Tamar Kharatishvili
A01=Werner Adriaenssens
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Author_Cecile Godefroy
Author_Celeste Day Moore
Author_Christoph Benjamin Schulz
Author_Dirk Van Oost
Author_Emilie Hammen
Author_Gail Levin
Author_Geoffrey Ripert
Author_Hilde D'haeyere
Author_Hilde D’haeyere
Author_Kaat Obbels
Author_Kasia Stempniak
Author_Laurent Cotta
Author_Margarete Zimmermann
Author_Marjan Sterckx
Author_Maude Bass-Krueger
Author_Noah Dubay
Author_Patrick Raynaud
Author_Rachel Silveri
Author_Ruth Hommelen
Author_Steven Jacobs
Author_Tamar Kharatishvili
Author_Werner Adriaenssens
automatic-update
B01=Laura Microulis
B01=Waleria Dorogova
Category1=Non-Fiction
Category=AGB
COP=United States
Delivery_Delivery within 10-20 working days
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Language_English
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Price_€50 to €100
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Product details

  • ISBN 9780300275766
  • Dimensions: 267 x 267mm
  • Publication Date: 12 Mar 2024
  • Publisher: Yale University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A richly crafted tribute to the avant-garde artist and designer Sonia Delaunay, whose boundary-breaking approach is echoed in the volume’s interdisciplinarity and its inspired design

Winner of the 2025 Dedalus Foundation Exhibition Catalogue Award

Named one of AIGA's 50 Covers for 2024
 
Described as “the most significant contribution to Sonia Delaunay studies in a decade,” this catalogue sets a new standard for the study of this pioneering avant-garde artist, designer, and entrepreneur (1885–1979). Eschewing traditional chronological structures to better showcase groundbreaking research unifying the artist’s timeless oeuvre across mediums, this publication demonstrates Delaunay’s innate versatility and willingness to create without material limitation using her unique language of light and color. Textiles, fashion, interiors, book art, and more are highlighted across 26 chapters by leading international scholars to give new insight into Delaunay’s strategies of self-promotion, entrepreneurial endeavors, legacy-building efforts, and vast network of collaborators. These in-depth analyses, including previously underinvestigated material such as film, mosaics, tapestries, and interior design, offer a comprehensive perspective on Delaunay’s lifelong effort to unite art with life by harnessing the energy of technological advancement and the beauty of artisanal craftsmanship. Finally, an appendix provides a unique personal note—an epilogue by Patrick Raynaud, the last living member of Delaunay’s atelier—is a touching firsthand account of the artist’s working practices toward the end of her life. The design, by award-winning book creator Irma Boom, embraces Sonia Delaunay’s own approach to layout and typography, rendering a book that unites past and present to become a work of art in its own right.
 
Distributed for the Bard Graduate Center
 
Exhibition Schedule:
 
Bard Graduate Center, New York
(February 23–July 7, 2024)

Waleria Dorogova is an independent art historian and curator. Laura Microulis is research curator at Bard Graduate Center, New York.

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