Sonic Politics

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African American Freedom Struggle
Agenda Setting Theory
Big Rock Candy Mountain
Black America
Black Freedom Struggle
Black Power Era
British colonialism
Category=JBCC1
Category=JBSL
Category=JPFF
Category=JPH
Category=JPWC
Category=JPWG
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Chilean Nueva Cancion
Colegio De La Frontera Norte
collective identity formation
Community
Contemporary Society
Cross-racial Appeal
cultural resistance analysis
Dead Kennedys
Early Singers
El Nopal
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Hip Hop Fans
Hip Hop Music
Inter-American
Jello Biafra
Los Tigres Del Norte
Marcus Garvey
mass musical movements
Music
music-driven political transformation
Occupy Wall Street
Pop Stars
popular music theory
protest music studies
Reggae
Religious Congregations
Sex Pistols
social justice movements
Social Movements
Son Jarocho
Spanish Elements
transnational activism
U. S. socialist transformation
Vegetable Soil
Wilfried Raussert
Woodie Guthrie
Young Man

Product details

  • ISBN 9781032241050
  • Weight: 480g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume analyses the narration of the social through music and the seismographic function of music to detect social problems and envision alternatives.

Beyond state-driven attempts to link musical production to the official narrative of the nation, mass musical movements emerged during the 20th century that provided countercultural and alternative narratives of the prevailing social context. The Americas contain numerous examples of the strong connection between music and politics; Woody Guthrie’s "This Land is Your Land" envisioned a socialist transformation of the U.S., the Chilean Nueva Canción created a narrative and affective frame for the recognition of popular culture as a central element of the cultural politics of the Chilean way to socialism, and Reggae emerged as a response to British colonialism, drawing inspiration and guidance from the pan-Africanist visions of Marcus Garvey.

Providing a significant contribution to the study of music and politics/social movements from an inter-American perspective, this book will appeal to students and scholars of U.S. and Latin American Cultural Studies, Transnational Studies, History and Political Studies, Area Studies, and Music Studies.

For additional information, please see the authors' Sonic Politics webpage: https://www.uni-bielefeld.de/cias/sonicpolitics/index.html

Olaf Kaltmeier is Chair and Professor of Latin American History at Bielefeld University, Germany. He is Director of the Centre for InterAmerican Studies (CIAS) in Bielefeld and Director of Maria Sibylla Merian Center for Advanced Latin American Studies (CALAS) at Bielefeld University. His research interests include heritage studies, indigenous movements, and InterAmerican studies. He is co-editor of The Routledge Handbook to the History and Society of the Americas (2019) and co-editor of the Routledge series InterAmerican Research: Contact, Communication, Conflict.

Wilfried Raussert is Chair and Professor of North American Literary and Cultural Studies and Co-Director of InterAmerican Studies (CIAS) at Bielefeld University, Germany. He is the founder and general editor of the e-journal fiar (Forum for Inter-American Research, www.interamerica.de), the online journal of the International Association of Inter-American Studies. He is Director of the International Association of Inter-American Studies and Chair of the research project "Entangled Americas/The Americas as Space of Entanglement(s)" at Bielefeld University, funded by the German Ministry for Education and Research. He has held visiting professorships at the University of Mississippi, the Universidad de Guadalajara, Humboldt University in Berlin, and University College Cork. He is the editor of the Routledge Companion to Interamerican Studies (2017).